if I shot in 24p, what should the capture settings be when capturing?…

[Gary Adcock]

[Chi-Ho Lee] “I may be conditioned to 24fps. But when you watch a film in the theater, do you really see a flawed image and wish it’s in 30fps?”

that would be tough since most projection is at 48fps
(just like sony’s 1080 23.98 PsF format)

gary adcock
Studio37
HD & Film Consultation
Post and Production Workflows

[Mike Most — account bouncing, bad address]

>Except for Douglas Trumbull.
>He’s the guy who did the effects for 2001: A Space Odyssey, and who got ILM up & running for Star Wars.

Although Doug is responsible for untold contributions to the visual effects industry, and is considered one of its great visionaries, he had nothing to do with ILM or Star Wars. In fact, he turned George down when it was offered. The people most reponsible for the early ILM work were John Dykstra and Richard Edlund, with Dykstra being the more “hands on techy” of the two. You’re probably confusing Trumbull with Dykstra – something many people who aren’t directly involved in the effects industry do, because along with Dennis Muren, they’re some of the most accomplished people the industry has.

Doug was, of course, responsible for “2001.”

[Emma Mcneill]

that’s some funny stuff!!

;o)

Emma

[Gary Adcock]

[Dave LaRonde] ” the initial frame rate of B&W-only PAL was indeed 30 interlaced”

me thinks you have PAL -M or N mixed up with PAL- I

There is a PAL 60 but mostly in Asia and the pacific rim.

gary adcock
Studio37
HD & Film Consultation
Post and Production Workflows

[Micah Ginn]

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