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Activity Forums Panasonic Cameras Film lenses, primes and HDX900

  • Film lenses, primes and HDX900

    Posted by Rich Rubasch on May 19, 2007 at 1:03 am

    Hi all;

    Just curious what options are out there for the HDX900 that are either prime lenses or film lens adapters that are reasonably priced. Even lookng for some custom rig/adapter that someone was clever enough to cobble together etc. OK, maybe not “cobble”.

    Got a DP with the stock lens and we are looking for film lens suggestions. Does Red Rock make one for the HDX900?

    Thanks.

    Rich Rubasch
    Tilt Media

    Daniel Andreas replied 18 years, 9 months ago 3 Members · 2 Replies
  • 2 Replies
  • Rick Amundson

    May 21, 2007 at 7:03 pm

    I believe the Pro35 will work with the HDX900 as would any B4 mount Digi Primes.

    Rick Amundson
    Producer/Director/DP
    Screenscape Studios
    Bravo Romeo Entertainment
    http://www.screenscapestudios.com
    http://www.bravoromeo.com
    http://www.indeliblemovie.com

  • Daniel Andreas

    August 10, 2007 at 2:51 am

    Hello Rick

    This may come too late but I noticed that you did not get much of response to your posting.

    The German-made Pro35 Adapter does work on this camera and I have used it with Zeiss Ultra Primes.

    P&Shttps://www.pstechnik.de/en/digitalfilm-pro35.php

    It’s definitely a RENTAL item as the purchase price is close to that of the HDX900 body — Abel rents it to you (LA/ NY) so do a few other vendors.
    https://www.abelcine.com/store/home.php?cat=615

    I would be careful about the look though and do a test shoot first — you definitely get the desired shallow depth of filed but at a price:

    1) considerable loss of sharpness

    2) loss of speed (2 stops) so no good for low light situations

    3) loss of contrast — you will get a slightly dreamy/smeary picture – which may or may not be the look you are going for. The effect is similar of what you get when you shoot with a WHITE PROMIST filter.

    Also be sure to white shade using the adapter (to avoid green / purple shifts)

    Another possibility you ought to consider is to go with DigiPrimes (Zeiss) or Canon Cine Style Primes. You maintain sharpness while being able to shoot wide open and get a shallow depth of field (not quite as dramatic as with Pro35) w.o giving up resolution, contrast and speed.

    Hope that helps — hit me up if you have any other Q’s

    High-Definator

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