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  • Dumbest, DUMBEST question (I’m so embarassed)…

    Posted by Chris Bové on February 20, 2007 at 2:41 pm

    Stupid little thing, but so darn annoying:

    Highlight a clip in a bin and go to: Edit/Set Clip Color/Pick. Pick whatever color, then add it to custom colors by clicking “Add to Custom Colors”.

    Is there any possible way to have these custom colors saved and kept (here’s the tricky part) even after powering-down and powering-up the next day? Currently I have to reset all of them each morning.

    ______
    /-o-o-\
    \`(=)`/…Pixel Monkey
    `(___)

    A picture says 1000 words. Editors give them meaning.

    Bill Stephan replied 19 years, 2 months ago 4 Members · 5 Replies
  • 5 Replies
  • Grinner Hester

    February 20, 2007 at 2:44 pm

    man, what a dumb question, pixel monkey.
    you should be embarrassed.
    and my answer is…

    I don’t know.
    😉

  • Bill Stephan

    February 20, 2007 at 11:12 pm

    I don’t belive there is any provision inside Windows to save the custom colors in the pallette. Why not just stick to the 8 colors that Avid gives you, or do you need more colors?

    Bill Stephan
    Senior Editor/DVD Author
    USA Studios
    New York City

  • Chris Bové

    February 21, 2007 at 1:54 am

    [Bill Stephan] “or do you need more colors?”

    Yeah, definitely need more than the standard eight. I was the geek in school with that thick orange click-pen that had four ink colors in it.

    Project color coding of clips (copied from the KEY in my journal):
    dark green – EXT interview: formal, seated
    light green – EXT interview: casual/man-on-street
    dark brown – INT interview: formal, seated
    light brown – INT interview: casual/man-on-street
    red – technical problem
    orange – narration: formal
    yellow – narration: scratch
    dark blue – 24 bit audio
    light blue – camera audio
    white – overmodulated audio (find different take)
    black – black filler
    dark gray – only use clip if last resort
    light gray – do not use clip
    pink – blooper (never see one of these in final timeline!)
    dark purple – graphic: finished
    light purple – graphic: temporary

    I also match all these colors to scene cards made from color construction paper cut-outs, taped on scene boards. On each card I write vital information about each clip. This way the producer can rearrange them as a living storyboard while not messing with the Avid’s timeline. I can also look at the footage in ways the Avid can’t provide.

    Sound stupid and unnecessary? After a five-month edit it ended up saving about a week’s worth of time, just looking for stuff and matching b-roll to corresponding a-roll.

    ______
    /-o-o-\
    \`(=)`/…Pixel Monkey
    `(___)

    A picture says 1000 words. Editors give them meaning.

  • Michael Hancock

    February 21, 2007 at 2:11 am

    Wow.

    Let me say it again….wow.

    Stupid and unnecessary? Not at all. In fact, I admire your organization!! As far as saving all the custom colors–I have no idea. After hearing why you need it, though, I wish I could help! Please, keep us posted if you figure it out. I just might adopt some of your methods here. Although I’m not sure they’d apply as much to a :30 promo, but still… 🙂 Can’t hurt, learning good habits versus bad, right??

    Michael.

  • Bill Stephan

    February 21, 2007 at 5:07 pm

    It might be worth a look at one of those 1,000 page books about Windows (pick the book specific to your version of Windows — 2000 or XP) to see if there is some trick to saving custom colors in the Windows color pallette.

    Bill Stephan
    Senior Editor/DVD Author
    USA Studios
    New York City

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