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Activity Forums Apple Final Cut Pro Legacy Chroma Key and Effects part 2

  • John Knapich

    June 18, 2010 at 4:09 pm

    Not sure about Boris (We use Keylight 2.0 and this works great), but make sure your white and black mattes are set correctly in the screen matte function. The slightly adjust pre-blur or matte dilate to play with the edges.

    FCP 6.06, OS 10.5.8 2x3GHZ Quad-Core Intel Xeon, Kona LHe, Dulce Duo-eSATA 8 Drive, 4TB Raid.

    John Knapich
    Creative Director/Partner
    Assembypix.tv

  • Jerry Wise

    June 18, 2010 at 4:27 pm

    send me 1 full rez frame and i’ll see if i can key it.
    send to jerryw@ktvt.com
    i have trouble keying 4-2-0 video….4-2-2 is much easier.
    i use keylight and DV Garage

  • Kevin Knutson

    June 19, 2010 at 6:33 pm

    Andrew, I tried to help you in the other posting.

    As I said, keying takes finess. You can watch some tuturials, and a lot of them will over simplify the process. I, like the others in this post, am not fully familiar with the boris keyer. BUT, I’m sure it has documentation that you can study for a while.

    It took me nearly a year to be fully comfortable with all the settings in keylight.

    Most settings adjustments are going to be very subtle, but the combination of all the tweaks will yield the results you’re hoping for.

    I see you’re looking at a composite output mode in Boris. Is there one that is a screen matte? This will make your footage only black and white. Black would be your alpha channel, and white is all your footage that will NOT be keyed. Try to adjust the key using this view. When treated as a matte, you can clip white and black levels so the key comes out sharper.

    You WILL need to finess your spill suppression as well. You’re using a very warm green screen, which means its going to bleed into his blonde hair.

    So again, here’s my advice… take a huuuuuuge deep breath. Read some documentation on boris. Try an initial sampled pixel in several areas (close to the man). Finess dials/sliders. And work from a screen matte view.

    4:2:0 is NOT hopeless for keying. HDV is NOT hopeless for keying. YOUR footage is NOT hopeless for keying.

    Go for it!

  • Andrew Spano

    June 21, 2010 at 8:27 pm

    I appreciate your info… i started using dvMatte 1.5 and i still cant get it right but getting better ;/

  • Matt Mullen

    June 22, 2010 at 3:45 pm

    Andrew,

    Which BCC filter or filters are you using?

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