Joaquin Phoenix playing a role in the movie Beau is Afraid, with cinematography commentary by Pawel Pogorzelski on the Go Creative Show

Beau is Afraid Cinematography with Pawel Pogorzelski

Cinematographer Pawel Pogorzelski returns to Go Creative Show to discuss his latest film Beau Is Afraid and his collaboration with director Ari Aster. Pawel shares his experience filming with the Sony Venice and Rialto extension system, how he creates a cohesive palette for the film’s many different looks, and the lens and lighting choices that gave Beau Is Afraid its many unique and surreal looks. We also answer audience questions and take a deep dive into how Pawel creates “vulnerability” in his cinematography.

Pawel does his best to explain what the film is about, but after watching the 3-hour odyssey and our interview with Pawel, we still aren’t completely sure… maybe that’s the point? Regardless of your understanding, or even opinion of the movie, this interview will inspire and educate film enthusiasts and movie fans alike.

Some contents or functionalities here are not available due to your cookie preferences!

This happens because the functionality/content marked as “Google Youtube” uses cookies that you choosed to keep disabled. In order to view this content or use this functionality, please enable cookies: click here to open your cookie preferences.

What you will learn:

  •  How BEAU IS AFRAID was pitched to Pawel (01:31)
  • Camera techniques to show anxiety (06:15)
  • Using wide lenses (12:37)
  • The different looks of BEAU IS AFRAID (16:27)
  • Using an LED wall for the cruise ship scenes (22:35)
  • Why the Sony Venice was the best choice (30:46)
  • Relationship with camera operators (37:08)
  • Not putting yourself in a genre box with cinematography (40:11)
  • Pawel’s philosophy as a cinematographer (42:14)
  • And more!

Sponsor:
Sony Cine
For the month of May 2023, Sony is offering special financing on their entire cinema line, and extended financing on the  VENICE and VENICE 2 cameras. Visit SonyCine.com for details.


Directing & Shooting Severance Season 2 with Jessica Lee Gagné
In this episode of the Go Creative Show, Jessica Lee Gagné returns …
Cinematography of A Complete Unknown: Shooting 12,800 iso Sony Venice 2 to create a 1960’s era film
In this episode of the Go Creative Show, cinematographer Phedon Papamichael discusses …

Links:


Enjoying the news? Sign up for the Creative COW Newsletter!

Sign up for the Creative COW newsletter and get weekly updates on industry news, forum highlights, jobs, inspirational tutorials, tips, burning questions, and more! Receive bulletins from the largest, longest-running community dedicated to supporting professionals working in film, video, and audio.

Enter your email address, and your first and last name below!

Sign up:

* indicates required

Responses

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy