Bridgerton Cinematographer, with Jeffrey Jury ASC, on the Go Creative Show
BRIDGERTON is Netflix’s most-watched series ever. Cinematographer Jeffrey Jur ASC explains how he used the Sony Venice camera and lighting using candles to bring us…
Tag: cinematography
Dave Grohl’s What Drives Us Shot With URSA Mini Pro 4.6K G2 and Pocket Cinema Camera 4K
Blackmagic Design today announced that “What Drives Us,” the new documentary by David Grohl of the Foo Fighters, was shot using a variety of Blackmagic Design…
Francis Kenny, ASC Keeps Action High with Help of Bolt 4K Max
CBS mega hit S.W.A.T. has always been fast moving—on air and on set. Shot on multiple stages at Santa Clarita Studios and diverse locations throughout the Los…
ETC fos/4s LED Panels Add Polish to Shoeshine Homage
ETC fos/4 LED panels prove perfect complement to natural light for cinematographer Lily Grimes during shooting of art film ‘Horsepolish’, an artist’s response to de…
Cruella Cinematography with Nicolas Karakatsanis: The Go Creative Show
Disney’s film CRUELLA combines handheld, high energy cinematography with elegant traditional camera movement. Cinematographer Nicolas Karakatsanis explains his masterful cinematic approach. Nicolas and Go Creative…
Toyotaro Shigemori’s “niko and … WINTER BOOK” Shot on URSA Mini Pro 12K
Blackmagic Design today announced that renowned cinematographer, Toyotaro Shigemori, used Blackmagic URSA Mini Pro 12K to shoot the web movie “niko and … WINTER BOOK.”…
Cooke Optics appoints Adrian Keane as Chief Financial Officer
Adrian brings over 30 years of multi-sector financial expertise to the role – Leicester, UK – 26 May 2021 – Cooke Optics has appointed Adrian Keane to…
American Society of Cinematographers Re-elects President Stephen Lighthill
The Board of Governors of the American Society of Cinematographers (ASC) has voted on the organization’s 2021-2022 officers and Stephen Lighthill has been re-elected president. He will…
Calculated Moves: Behind the scenes of Godfather of Harlem Season 2
Cinematographer Jack Donnelly discusses windowing DXL2 for 6K capture and pairing the camera with Super 35-format Primo lenses for Godfather of Harlem Season 2. When Godfather…
Creative COW with Erik Messerschmidt: A Labor of Light
Mank could have easily been a parody of old school Hollywood, but Erik Messerschmidt and David Fincher weren't going to let that happen. They went for…