Toby Oliver, ACS, uses Cooke lenses to help Kristen Wiig and Annie Mumolo’s latest comedy shine. DP Toby Oliver, ACS (Australian Cinematographers Society) and director…
Canon U.S.A., Inc., a leader in digital imaging solutions, announced today that its parent company, Canon Inc., reached a new lens-manufacturing milestone with the production…
Anamorphic and spherical Cooke lenses from different decades were combined to visually enhance the story of the new Liam Neeson hit movie, THE MARKSMAN. Robert…
When it came time to select lenses for the Lookout Point’s six-episode series of Vikram Seth’s bestselling novel A Suitable Boy, DP Declan Quinn knew exactly…
The Premista series welcomes third in series of Large Format cinema zooms. FUJIFILM North America Corporation is pleased to announce that the FUJINON Premista 19-45mm…
Cinematographer Isaac Vila plays with the lenses to capture naturalism and light to bring the landscape to life. The pressure is on: film director Carlos…
On November 25, 2020 the first 6-lens Silver Sets of full frame Angénieux Optimo Prime lenses left Angénieux facilities in France to join some of…
Peter Simonite, ASC, CSC finds great opportunity with visuals that underscore the story with a ‘beautiful’ lens. For cinematographer Peter Simonite, ASC, CSC lensing the…
Pope revisits lenses that retain original Speed Panchro characteristics. Cinematographer Dick Pope, BSC, chose to return to Cooke Panchro/i Classic Prime lenses to shoot Supernova, a…
Naturalistic cinematography offers a new dimension to the depiction of well-known Bible stories. Cinematographer Akis Konstantakopoulos, GSC mixed natural lighting, handheld camera work and Cooke Panchro/i Classic…
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