The International Cinematographers Guild (ICG, IATSE Local 600) and ICG MAGAZINE will hold their fifth “Deep Dive” virtual conversation on February 21 at 4:00PM PST. Panelists will discuss the…
The American Society of Cinematographers (ASC) has selected its nominees in three categories of the 2020 Student Heritage Awards competition. The awards are one of many programs…
PIECES OF A WOMAN cinematographer Benjamin Loeb discusses how he shot the films most controversial scene – a 20-minute single take of a mother’s home…
Anamorphic and spherical Cooke lenses from different decades were combined to visually enhance the story of the new Liam Neeson hit movie, THE MARKSMAN. Robert…
Learn how Chadwick Boseman, Viola Davis, and cinematographer Tobias Schliessler ASC brought MA RAINEY’S BLACK BOTTOM to life despite very few sets and many lighting…
A cinematographer’s role in an animated film is a unique challenge. In Pixar’s SOUL, Cinematographer Matt Aspbury blended a photo-realistic New York City with an abstract look…
When it came time to select lenses for the Lookout Point’s six-episode series of Vikram Seth’s bestselling novel A Suitable Boy, DP Declan Quinn knew exactly…
Virtual ribbon cutting, panel discussion and a screening to be held on Wednesday, January 27, 2021 The donation of the historic Michelson Cinema Research Library, the legendary…
Cinematographer Simona Susnea traces her career behind the camera back to an early interest in journalism, which in turn opened the door to still photography.…
Top underwater cinematography source offers new waterproof light. Few know underwater cinematography and how to light the great blue sea, better than Pete Romano ASC.…
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