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Tag: cinematography
Severance Cinematography, with Jessica Lee Gagné
SEVERANCE is a mind-bending and visually stunning thriller and one of this year’s best series. Cinematographer Jessica Lee Gagné shares why she was hesitant to take on the…
The Power of the Dog Cinematography, with Ari Wegner ACS
THE POWER OF THE DOG director of photographer, Ari Wegner ACS, shares how her cinematography communicates loneliness in the Oscar-nominated Netflix film. Ari and Go Creative Show host, Ben Consoli,…
American Society of Cinematographers Announces Student Heritage Award Winners
The American Society of Cinematographers (ASC) announced winners in this year’s Student Heritage Awards on Saturday night (March 5) during a virtual presentation. Three student filmmakers were…
Cooke Panchro/i Classics bring the Cooke Look to King of Boys: The Return of the King
Cinematographer Kagho Idhebor employs pristine imagery with well-handled flares to bring character and style to political thriller To shoot the sequel to the acclaimed political…
Death on the Nile Cinematography, with Haris Zambarloukos
DEATH ON THE NILE and BELFAST cinematographer Haris Zambarloukos takes us behind the scenes of both films and shares his filmmaking secrets. Haris and Go Creative Show host, Ben Consoli, discuss DEATH ON…
The Witcher Season 2 Cinematography, with Jean Philippe Gossart and Romain Lacourbas
THE WITCHER season 2 cinematographers Jean Philippe Gossart and Romain Lacourbas share details about how they collaborated on bringing more color and dimension to the series. JP, Romain, and Go Creative…
The Last Thing Mary Saw Captured with Cooke Optics S7/i Full Frame Plus Lenses
The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – was shot using Cooke Optics S7/i Prime Lenses so…
ZEISS Supreme Primes Work Day and Night for Plan B — Cinematographer Sandra Valde-Hansen on Large Format
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for…
The Cooke Look brings dimensionality and contrast to In From The Cold
Cinematographers Hermes Marco AEC and Imanol Nabea worked with Cooke S7/i Full Frame Plus and vintage Cooke Speed Panchro S2/S3 sets to bring contrasting scenes…