Award-winning series DOPESICK is a masterclass in breathtaking cinematography and storytelling. Director of photography Checco Varese ASC shares how he evolved the show’s visual approach throughout the series. Checco…
Creative COW’s career center is back. Employers looking for prospective hires in the digital video & audio production and post-production industries can now enter their…
SEVERANCE is a mind-bending and visually stunning thriller and one of this year’s best series. Cinematographer Jessica Lee Gagné shares why she was hesitant to take on the…
THE POWER OF THE DOG director of photographer, Ari Wegner ACS, shares how her cinematography communicates loneliness in the Oscar-nominated Netflix film. Ari and Go Creative Show host, Ben Consoli,…
The American Society of Cinematographers (ASC) announced winners in this year’s Student Heritage Awards on Saturday night (March 5) during a virtual presentation. Three student filmmakers were…
Cinematographer Kagho Idhebor employs pristine imagery with well-handled flares to bring character and style to political thriller To shoot the sequel to the acclaimed political…
DEATH ON THE NILE and BELFAST cinematographer Haris Zambarloukos takes us behind the scenes of both films and shares his filmmaking secrets. Haris and Go Creative Show host, Ben Consoli, discuss DEATH ON…
THE WITCHER season 2 cinematographers Jean Philippe Gossart and Romain Lacourbas share details about how they collaborated on bringing more color and dimension to the series. JP, Romain, and Go Creative…
The Last Thing Mary Saw – a Shudder original movie for the AMC Networks’ premium streaming service for horror, thrillers and the supernatural – was shot using Cooke Optics S7/i Prime Lenses so…
Cinematographer Sandra Valde-Hansen (The L Word: Generation Q, Now Apocalypse, White Bird in a Blizzard, Kaboom) found herself capturing scenes in diverse weather and lighting for…
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