Blackmagic Design today announced the Ion Network’s new Christmas film, Christmas Down Under, was shot using Blackmagic Design’s URSA Mini Pro 4.6K G2. The film’s editing…
SUCCESSION season 3 cinematographers Christopher Norr and Patrick Capone join us to discuss the show’s multi-camera handheld-style and natural lighting. Christopher, Patrick, and Go Creative Show host, Ben Consoli, share why they film…
This article originally appeared in Creative COW Magazine’s August 2010 issue, Divergence. A South African team applies the robotic motion-control expertise it has gained in…
Blackmagic Design today announced that Media Storm, one of the most popular content creators on Chinese video sharing platform bilibili.com, produced high quality fake window videos…
David Oyelowo’s film, lensed by Matt Lloyd, finds its own style, ‘due to the choice of lensing and environment’. Cinematographer Matt Lloyd, ASC, CSC, has…
GHOSTBUSTERS AFTERLIFE — with its incredible sets, props, and the infamous Ecto-1 car — have given movie lovers the nostalgic and entertaining blockbuster they have been…
Blackmagic Design today announced that Facebook Watch’s “Simone vs Herself” was completed using Pocket Cinema Camera 4K to shoot a variety of scenes in the seven…
Tick, Tick…Boom! is Pulitzer Prize and Tony Award winner Lin-Manuel Miranda’s magical adaptation of the autobiographical musical by Jonathan Larson, who revolutionized theater as the creator…
A surreal journey through a nightmarish and fantastical dreamland sets the backdrop for the late artist Mac Miller’s “Colors and Shapes” music video, released in…
AMERICAN HORROR STORY DOUBLE FEATURE cinematographer Andrew Mitchell had a massive challenge to overcome: how to film two unique stories with distinct looks in a…
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