Forum Replies Created

  • Wolf Wildwood

    December 4, 2011 at 8:20 am in reply to: Recommendations for ‘Pro-sumer’ cameras

    Yes, I had read someone mention that (about the hd-greenscreen)

    My video is 25.00 fps, 1440 x 1080 (1.3333)
    My Ulta Key Output is Composite and the Setting is Aggressive
    Matt Gen is set at Transperancy 40, Highlight 10, Shadow 55, Tolerance 90 and Pedestal 50
    (Being new to all this I came to this setting by trial and error… I’m not even sure how each of those settings effect the matte generation.)

    The screen itself is material and with the lighting so close and high the texture of the material throws tiny shadows all over the screen.

    I intend to experiment by spray paining a large board green instead.

    Thanks.
    Wolf

    “The lesson of history is that no-one learns from history’s lesson”

  • Wolf Wildwood

    December 2, 2011 at 6:24 am in reply to: Recommendations for ‘Pro-sumer’ cameras

    Gday Mark,
    Thanks for your reply.
    I am importing directly from HDV tape as HD to Premiere Pro 5
    Is ProRes 4444 an option in Pro? (sorry for my ignorance re techy stuff)

    Re; tablet reflection… I have tried many different angles but this one is the only one I can effectively communicate with the puppet. Any reflection on the Cintiq screen is garbage matted out anyway.

    At present the entire sequence is shot using the one camera… filming the entire script at the angle the screenshot shows, then re-positioning the camera for the closeups and running through the script again completely.

    I use the wide shot as the backbone and cut in close-ups on the fly. (I rarely plan on which dialogue will be closeups during scripting)

    Once again, thanks for your time.

    Wolf

    “The lesson of history is that no-one learns from history’s lesson”

  • Wolf Wildwood

    December 2, 2011 at 2:47 am in reply to: Recommendations for ‘Pro-sumer’ cameras

    Gday.
    The filming space is about 12 feet by 20 feet, and the green screen is only about 2 feet behind the character’s heads (see attached image).

    I use a halogen soft light to light up the screen (from above the puppet’s head) and three others to light the scene.

    On the image you will see where I have garbage matted (the line across the level of the bottom end of the green screen. Because I have ‘maxed out’ the ultra-key I had to resort to using a green background for the elephant image to prevent green edging around the puppet’s hair and my hat and beard.

    I need to be able to produce this at broadcast quality.

    “The lesson of history is that no-one learns from history’s lesson”

  • Thanks everyone for your suggestions.

    My editing experience to date is old-school analog (worked as weekend news cameraman for small town tv station in the early 90’s) and some simple imovie stuff for youtube.

    I’m now producing a pilot tv show and learning Prem Pro on the fly.

    I think I need to watch some more tutorials.

    I’ll try Ben’s suggestion first.

    “The lesson of history is that no-one learns from history’s lesson”

  • Thank you for your reply.
    I am using cs5, not 5.5 so with no ‘merge’ option I am forced to edit it directly in the timeline?

    The only other option I can think of is to export the finished clip and import it into a new project as a new media item?

    Sorry for my ignorance… I am new to this.

  • Wolf Wildwood

    September 5, 2011 at 9:37 pm in reply to: How do I ultrakey only part of the frame

    Gday.
    Thanks very much for your fast response. Your suggestion not only worked but opened up ideas on how to correct some other visual discrepancies.
    Greatly appreciated.

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