Thanks for your help.
Those settings worked pretty well and gave the track the ‘umph’ I was looking for. We’ll see how it sounds on the air.
I didn’t have to raise the levels to 2 or 3 and actually had to use keyframes in a few places to bring some peaks down.
Overall, using the ‘all 2s” formula was a major improvement.
However, here’s another question…It seems like anytime I have messed with compression, I get a tinny, almost robotic sound. It was relatively low with the formula, but it was there. I don’t know that the casual listener would pick up on this, but it bugs me. How does one reduce this side effect of compression?
Thanks again.
-Waddy