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Fotis_Greece
Super! Thank you!

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What said Juan P. Pertierra (author of Andromeda project):

The CCD’s yield a frame considerably larger than a standard 720P or SD frame(depending what interpreting of the data is done), so the user has a lot of options, it is hard to categorize down what resolutions can be achieved.

For example, someone who doesn’t have the anamorphic adapter but still wants to get 16:9 or 1.83, can process using pixel shift up to 1540×984, and then letterbox it.

1540×984 is the original HD resolution whn the CCD scans are decoded taking into cosideration the physical pixel shift. Yes, this is within striking range of 1080P, and if you want to up-res it you should get goodt results. However we do not have any up-res capabilty built into our software at this point, so you’d have to export the frames with sculptor and then up-rez with your favorite software. All the resolution we get in sculptor is using optical details that are captured by the shifted CCD’s, we do not up-res any images.

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Look at project Andromeda (hacked Panasonic AG-DVX100)
http://www.reel-stream.com/andromeda

Color precision: 24bit, 30bit, 36bit
Sampling modes: Full-bandwidth RGB, 4:4:4 YUV, 4:4:2 YUV, 4:2:4 YUV,
4:2:2 YUV, 4:2:0 YUV, 4:0:2 YUV, 4:1:1 YUV
Frame size: 1280×720** (16:9 with anamorphic adapter),
1124×720**(NTSC pixels, full optical frame), 770×492(NTSC pixels),
720×480(NTSC pixels), others user-defined

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Panasonic failed to develop own mpeg2 codec able to do 4:2:2 720p60 ?
Why no one used VASA coder, which provides a single-chip HDTV 4:2:2 encoding and decoding solution?
“Low power consumption and low latency are two of the main features on this single chip VASA architecture, with an ability to work in full spec 422P@HL and MP@HL and reduced resolution MP@H-14L environments whilst demonstrating high bit rates up to 300Mbps (TS). The VASA chip processes high quality MPEG-2 video in 1080i, 1080-24P, 720P, 480i and 480P formats with a power consumption of less than 3W. Typical encoder delay (I frame) is 66ms.”
I’m sure 50Mbps mpeg2 4:2:2 equal in quality to 100Mbps of DVCproHD.
mpeg2 4:2:2 50Mbps as accuisition format for costly P2 card more preferably than 100Mbps of DVCproHD.
But in this case for editing need intermediate codec as CineForm.

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rob mack
Thank you for help. My final solution is embeded subtitles into avi done by VirtualDub.

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Thanks, Edward. My mistake.

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Edward
Are you wanting to place a text generated media containing the specified text at the specified location/lengths? If yes, it can’t be done via a script.

Thank you, Edward, for nice explaining my wishes:) This script exist and free?

Subtitles script look like this:
————————
00:00:34:08 00:00:37:20
Text text text

00:00:39:06 00:00:42:08
Text text text
————————

This need for making translation (record voice over) in same time when watching video on preview monitor.

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jeremiah black
I’ve agree with you. I mean only price range $60K vs $15K and time of appearances information about this cameras.
These guys (Jeff Kreines and Rai Orz) has forced to think the monsters (Sony, Pana, JVC).
We must have a choice between 10 bit log and level of compression in ONE tapeless camera.

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You can ask questions in this tread: Rai & Markus’ “Drake” HD camera

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Jason J Rodriguez
DNxHD is DCT-based, not wavelet.

Thank you, Jason, for clarification.
Which NLE is better for editing CFHD 10bit in YUV2 under WinXP?
Sony Vegas can not to render to 10 bit YUV2 ? How about Avid Express Pro HD?
Under winXP no choice, only PPro1.5?