[Vincent Vallet]

The solution at my question was easy :
brick in the sequence 3 cams synchro with the master and make a plan for multicam.

[Vincent Vallet]

I just see this movie, maybe that can help you :
https://library.creativecow.net/articles/harrington_richard/final_cut_multicam_edit/video-tutorial.php

For my question, I think I’ve got find the answer (thanks Richard). I’ve got a model master (direct mix), if I create a sequence with the 3 files of one camera and I drop black movie (“amorce” in french, don’t know what is the word in english) in the 2 ruptures, maybe that can work. I will try this evening.

[Vincent Vallet]

Hi Benjamin,

I know Apple ProRes LT is a solution for sporting events if you want working with more cameras with a correct quality. You can see more informations on :
https://www.apple.com/finalcutstudio/finalcutpro/apple-prores.html

You must had a good hard disk too (I think sata connection is the best solution, or firewire 800…):
https://support.apple.com/kb/HT2323?viewlocale=en_US

So, me too I’ve got a question for multicam in fcp. I’m editing now a multicam with 3 cameras but there are 2 changing tapes so I’ve got 3 files for one camera. Is it possible to make a multicam with only one sequence or I must doing 3 sequences and after assemble blocks sequence ? Thanks !

[Vincent Vallet]

Thanks for this information, so maybe a member of CoreMelt would like to be interview by me for help me.