[Ty Ford] “It does have a “smiley face” (big on bottom, big on top) EQ that I didn’t like for voice.”
{Bruce} But the dialog guys like this. Given that boom operators are usually 45+cm from talent’s mouth, the bottom end boost works fairly nicely for either men or women to give their voice a bit of extra warmth. The high end boost includes the presence range which is usually a nice plus for dialog clarity.
We aren’t talking singing here. I don’t think either the 8050 or 8060 will be on very many recordist’s top 10 list for singers.
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Bruce, I’m a “dialog guy” when I’m on the boom or at the cart, and a “music guy” when I’m doing music. I don’t find a lack of anything at 18″ with a super or hyper, especially not a Schoeps CMC641. I’d rather hand post something I haven’t tried to overthink in the field. The smiley face EQ can get you into trouble in tracking shots when talent is walking in grass or gravel. The HF boost picks up grass swish and gravel rattle under foot quite nicely, unfortunately. If you’re outside in a highly humanized area, the low end from nearby cars and trucks, etc. doesn’t really help you. Smiley face EQ is also a problem with overly sibilant voices. That even happens to some degree with the MKH416.
Regards,
Ty Ford
Cow Audio Forum Leader
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