Ty Ford
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Peter,
Yes. A small ocean of mics.
Regards,
Ty Ford
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Peter,
I have held in in my hand and see it without the headgrille at AES/SF, but haven’t heard it yet.
This is the first larger diaphragm xy AT has put out. Their main mic engineer was pretty smiley about it thenand that doesn’t happen very often. In the past their AT 822 and 825 have found a spot in a lot of kits as dependable stereo utility mics.
I hope to get one for a review or personal eval soon.
Regards,
Ty Ford
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Hello Peter and welcome to the Cow Audio Forum,
AT has a new large capsule (low selfnoise) XY stereo mic. I saw it at the AES show 10/08.
https://www.fullcompass.com/product/362397.htmlThe edirol supplies phantom power, so you’re set.
And, really, $600 for a good stereo mic isn’t expensive when you compare it to a Neumann RSM 191
https://www.bhphotovideo.com/c/product/146369-REG/Neumann_RSM_191_A_S_RSM_191_AS_.html
Regards,
Ty Ford
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Hello again Din,
https://www.jlfisher.org/booms/model_7_boom/index.asp
Regards,
Ty Ford
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Hello Tom,
A lot depends on where you want to be, on location where AC-power is not easily available of anywhere that AC-power is available.
The big guys use Comtek wireless IFB (interuptable feedback) systems. The mixer feeds the IFB transmitter and each person has their own wireless headset receiver.
Could you use your 302 tape level outputs to feed the ATI box below?
https://www.atiaudio.com/?fa=search&text=HDA100-BATOr mic level to the Rolls?
https://www.bhphotovideo.com/c/product/231436-REG/Rolls_PM50SOB_PM50sOB_Personal_Monitor.htmlRegards,
Ty Ford
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Hello Din and welcome to the Cow Audio Forum,
This just in from Lectro HQ.
More Technologies
Peter More peter@moretec.net
Randy Powell randy@moretec.net
Los Angeles, CA
Phone: 310-470-8998
Fax: 310-470-0262Regards,
Ty Ford
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Ian,
I don’t know how to respond to your post. Even though you’ve provided a diagram of the space, I couldn’t tell you the best places to put individual pieces of foam without being there.
Foam, by itself, is usually not the answer. It absorbs a disproportionate amount of high frequencies.
The correct approach is a combination of absorption and diffusion, in the right spots. If you’re only doing spoken word, trapping the corners is probably a waste of time.
All hard, parallel surfaces are problematic. walls, floors, ceilings, etc. The time-honored approach is to make sure that one of two parallel surface is treated, but there’s a lot more that goes in to getting good acoustics. Basic room dimensions themselves can have a significant effect on the generation of standing waves that can muck up your sound. This is not something to be experimented with if money is on the line. You need someone who can give proper solution, otherwise you are courting disappointment, to say the least.
Regards,
Ty Ford
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[Kevin Franzen] “All my projects that head for broadcast have to be set a -20dBs, peaks at -10dBs. “
Hi Kevin,
According to who?
Regards,
Ty Ford
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Hello Ian and welcome to the Cow Audio Forum,
Why use a lave for VO?
All foam makes for a dead room. You need a combination of foam and/or compressed fiberglass panels and other diffusion to break up the sound waves,
Where are the monitors?
Regards,
Ty Ford
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Call jeff wexler.Tell him ty says hi!
Jeffrey S. Wexler, C.A.S.
2633 Lincoln Blvd., Suite 500
Santa Monica, California 90405
voice . messages . fax :: 310.362.8863
email :: j w s o u n d @ m a c . c o mWant better production audio?: Ty Ford’s Audio Bootcamp Field Guide
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