[Ty Ford]

Rafael,

This just in. The original shooter/editor has just sent notes.

“The main timeline is 1280x720p. HDTV 720P. The footage is 25 fps. (confirmed) We will make NTSC versions after everything is completed.”

The exec. prod has asked for 1080p. So, if the main timeline is now 720P, I’m thinking maybe they didn’t discuss timeline resolution. If the timeline is 1280x720p, we’ll never see 1080p on those frames that are that are higher.

About the guitar. Thanks. It is an amazing sounding guitar. The Schoeps mic is also killer.

Thanks!

Ty

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[Ty Ford]

Hello Charles and welcome to the Cow Audio Forum.

Thax is pretty spot on. Three Sennheiser G2 wireless would bust your budget and you still don’t have a mixer (sound devices 302)
cables (mixer to camera)
headphones: Sony MDR 7506
backup hardwired mic for when the wireless aren’t working

And the experience to keep the audio straight and sounding good during a shoot. It’s not plug and play.

The number one problem encountered by folks I run into at the local film company socials is getting the sound right. It’s not brain surgery, but there’s a lot of craft involved in getting it right.

Regards,

Ty Ford

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[Ty Ford]

Hello from rainy Baltimore, Anna,

By “one set” I mean one transmitter and one receiver. The two little boxes you have.

After resetting the transmitter and receiver, you should be OK, but…

If you find the wireless doesn’t work due to interference, you will have to change the operating frequency by scaning with the receiver and then changing the transmitter as I have outlined earlier in this string.

And…….

Different countries have different uses of the frequency spectrum. I don’t know what Ethiopia’s rules are. Neither does Sennheiser, but if you’re going to be in other countries you may need to find out.

Here’s the link: https://www.sennheiser.com/sennheiser/home_en.nsf/root/professional_wireless-microphone-systems_frequency-check

Some countries reserve certain frequencies for government use. If you operate the wireless on a frequency that is assigned to another use and they can find you, you may be in some trouble.

OTOH, you may be fine.

Regards,

Ty Ford

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[Ty Ford]

MPEG-4 AAC 320 kbps would be my choice.

Regards,

Ty Ford

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[Ty Ford]

Hello Fulano and welcome to the Cow Audio Forum.

Unless you have multitrack recordings recorded without audience mics, you’re efforts will be unremarkable and disappointing.

Regards,

Ty Ford

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[Ty Ford]

Hello Chris and welcome to the Cow Audio Forum.

Why not just upgrade Quicktime. It’s free.

Regards,

Ty Ford

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[Ty Ford]

MAtt,

There you go!

Good job.

Ty

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[Ty Ford]

That would not be a concern.

Please go back and read my questions again and provide more information.

What audio will be routed to these monitors?

Thanks,

Ty Ford

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[Ty Ford]

Hello Oscar and welcome to the Cow Audio Forum.

-12 is about right for network or cable. Try checking other DVDs to see how they compare. It could be level or it could be relative loudness to a combination of compression and limiting. If the levels are peaking at the same general area from both sources, it’s a lack of compression and/or limiting.

Regards,

Ty Ford

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[Ty Ford]

Hello Matt and welcome to the Cow Audio Forum.

You have a button in the wrong position that’s looping an output to an input.

Regards,

Ty Ford

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