Forum Replies Created

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  • Trevor Asquerthian

    February 16, 2013 at 9:44 am in reply to: DNXHD in FCPX. Ouch.

    I noted the same thing… It’s an issue in my world as all the EVS are set to DNx these days… (They were prores for fcp7, so I suppose they might return if FCPx gains traction … Uphill battle though)… Roll on AVC-intra (maybe)

  • Trevor Asquerthian

    February 11, 2013 at 7:15 pm in reply to: Poor video playback via broadcast output

    This is the project I created it in … Was a test to try out FCPx … You might be able to adapt it for non-PAL although from memory (I don’t have x installed) the sync test was a QT import… Might have the original motion project for that somewhere

  • Trevor Asquerthian

    February 11, 2013 at 12:08 pm in reply to: AJA io express and audio punchin

    I’m pretty sure that punch-in tool does not work with embedded audio prior to v6.

    And I’m not entirely sure that it works in v6 either 🙁

    I expect it is down to the inability to have video I at the same time as O

  • Trevor Asquerthian

    February 5, 2013 at 2:48 pm in reply to: The “F bomb” after the SuperBowl
  • Trevor Asquerthian

    February 3, 2013 at 10:00 am in reply to: FCP Legend/FCP 10/Personal Use/Facility Use

    “an insert edit, something I remember dreading anyway… even from Avid”

    Hmm NEVER had an issue with insert editing from avid.

    FCP yes (underlying QT inherently incapable as the quantising to frame edge was 50:50)

  • Trevor Asquerthian

    January 26, 2013 at 7:25 am in reply to: FCPX multicam question

    In avid you can ‘auto sequence’ all the clips from one camera. This puts them at their ‘time of day’ position in a timeline. (Assuming that is the timecode recorded).

    But you do then have to combine those on multiple VandA layers and ensure sync throughout (eye blinks are good once you are close) before grouping as it is a PITA in avid to fix that after the fact.

    Best to get TC right during shoot to save post time. And/or get the shooters to stick a phone with an HH:MM:SS time in front of lens at head or tail.

    I like the look of X multicam (find it clunky in 7). Not sure when I’m going to get to use it though…

  • Trevor Asquerthian

    January 26, 2013 at 7:05 am in reply to: Long format project – anyone done one yet?

    “the producer had a very inexperienced editor do the initial log and he broke it up into 18 different FCP7 projects UGH!!”

    The previous editor may have been inexperienced, but when I edit long form in fcp7 then this is the way I work.

    I find it easier to manage fcp7 projects that are kept small and more akin to avid bins.

    Searching via spotlight is easy and with full string outs finding shots is easy and the edit project is kept to a reasonable size.

    Now if you are editing in avid (or x) then any organisation from fcp7 is not so useful without some extra work 🙁

    Please do post back if you decide to use X as it has definitely informs us lurkers 🙂

  • Trevor Asquerthian

    January 22, 2013 at 8:59 pm in reply to: Using phase cancellation as a tool

    Also can be a useful technique for getting clean vo if you only have full mix and international.

    Doesn’t always work though 🙂

  • Trevor Asquerthian

    December 31, 2012 at 12:22 pm in reply to: 2013 an exciting new year

    Good luck!

    Remember that you can always spot the pioneers – they are the ones with arrows in their backs…

    I hope you, and the other editors involved, are able to let us know how it is going as you grapple with inevitable issues. It’s the kind of discourse that informs the debate and the development.

  • And, AIUI, lots of surround formats are just 8 discrete, full bandwidth, tracks…

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