Forum Replies Created

Page 85 of 505
  • Tom Wolsky

    February 13, 2011 at 7:39 pm in reply to: rendering wrong resolution?

    1. “I start with a file that is 720×406” Where did that number come from? What are you using to rip Use MPEG Streamclip. It should be 720×480 anamorphic if the media is widescreen. Or better yet rip it directly to ProRes 1280×720.

    2. is wrong because 1 is wrong. If you say No, who knows what you’re getting.

    3. Anything is possible after 1 and 2.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 13, 2011 at 1:07 am in reply to: Transport controls in Log and Transfer for AVCHD

    What are you playing back from? Is the media on a hard drive or on a card? K and L work. Not J. Playback can be very sluggish if you’re playing off a card. There is no jog wheel or shuttle, but you can scrub the playhead, sort of.

    This isn’t normal, intraframe compressed media. Most of the frames aren’t complete information. I-frames are complete, and subsequent frames read off it so playing forward is relatively simple. Playing backwards though is a problem. The first frame you encounter when you play backwards is probably not an I-frame so playback would have to skip backwards to find that I-frame before it could play the frame you want to see. That would be kind of a mess.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 13, 2011 at 12:28 am in reply to: Transport controls in Log and Transfer for AVCHD

    You’re missing something. Is your window divided in half, clip list on the left, viewer, controls, and logging info on the right? If not, trash your preferences.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 11, 2011 at 10:33 pm in reply to: Is there anyway to add labels during log and transfer?

    Only by doing it in groups. Transfer the clips that go into one bin, then transfer the clips that go into another bin.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 11, 2011 at 8:32 pm in reply to: Is there anyway to add labels during log and transfer?

    I’m afraid not. Probably the best things you can do is to use separate logging bins for each group of clips you want to label separately. There’s a little button below the clip list that shows you where your logging bin is set.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 10, 2011 at 8:29 am in reply to: FCE4 to FCP7

    FCE is not effected up the FCP upgrade. You don’t need to uninstall it if you don’t want to.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 8, 2011 at 10:22 pm in reply to: Names on the tracks

    Nope. Put you could add your request to feedback. It might get done.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 8, 2011 at 7:02 pm in reply to: silencing audio during capture

    That’s the one. It doesn’t appear in some formats, but it is normally off.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 8, 2011 at 5:37 pm in reply to: Log and transfer HD footage with panasonic SD700

    Do you have mixed formats of media on the same card? That’s always a no no.

    First back up the whole card. Then take in the SD material and back it up. Put the card back in the camera and manually delete the SD media. Then see if you can access the HD media.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

  • Tom Wolsky

    February 8, 2011 at 4:59 pm in reply to: silencing audio during capture

    Then the next question is what format you’re working in. There should be a preview checkbox. If it’s not there then it should be off by default. It may be possible that because you’re using an audio application simultaneously it’s being turned on.

    All the best,

    Tom

    Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
    Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

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