[Tom Wolsky]

MPEG Streamclip.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

Please give the exact specs of the exported media file.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

I’m not getting this. The project library is just a folder structure that can be organized in folders. If you use the folder structure to organize the projects it should be no more complex than a bin structure in earlier versions.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

What do you see as not viable about building projects in the project library?

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

Sure JPEG is supports. Photoshop or PNG as good formats.

There are no settings for importing from a tap[e camera. You simply connect the camera and import. There is no log and capture or batch capture function.

DVD creature is very limited in FCP. You might also wan to look at Toast or the Adobe suite of applications.

Very little of LiveType is in FCP. That’s mostly in Motion.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

Import the still image into FCP and use the match color function. Edit the video clip into the project. Select it and in the video tab of the inspector click Choose next to Match Color. Click the still image in the browser and apply the match to the video clip. See how that works for you.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

This is a tape-based camera, isn’t it? The transfer speed is the speed the tape plays. You can’t transfer in fast forward. Compressor won’t do anything for you.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

Is it 8-bit RGB?

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

The keyword collections are part of the event. Wherever that event is see the collections will be visible. If I have a drive or an Xsan and make change to that event, and then take that drive or have someone else access the Xsan the collections will be there.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press

[Tom Wolsky]

For me V1 was the primary video track. Most of the program was laid out on that track. Trimming was much easier when clips were in line. the other tracks were used primarily for B-roll, cutaways, titles, effects. I rarely got above four or five video tracks. If I did for any effect I’d usually comp them into a nest.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP7,” “Basic Training for FCS” and “Final Cut Express Made Easy”
Coming in 2012 “Complete Training for FCPX” from Class on Demand
“Final Cut Pro X for iMovie and Final Cut Express Users” from Focal Press