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Toke Trangbæk
March 12, 2012 at 8:41 pm in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

Sorry we chose to go with native dnxhd encoded files… I was not comfotable with the prores files in avid…
Toke Trangbæk
February 26, 2012 at 8:28 pm in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

If i have alexa assets shot in prores it would be nice not to need to reencode to dnxhd.

But i hear what you say!
Toke Trangbæk
February 26, 2012 at 8:23 pm in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

Strange – it should just rewrap – not re-encode!!

I will try and find time to test it tomorrow with some alexa prores files.
Toke Trangbæk
February 26, 2012 at 8:20 pm in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

What i see as the important question now is: how is to edit the prores wrapped as mxf? Is it just as fast as native dnxhd? Is it stable?

We have tried editing prores in ama mode in Avid 5.5 – that was not very positive!! Did not work! So hope this native prores feature is working the true Avid-way.
Toke Trangbæk
February 26, 2012 at 5:03 am in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

Ok i get it and i hear what you are saying in this scenario.

But i would really just like to hear from somebody that have worked with native prores in Avid 6 on a big project.

Let’s say i have a documentary – 300 hours – prores – it was planned to edit in fcp – but the producer now wanna change to Avid… Will Avid 6 new native prores feature be solid enough to dó this?
Toke Trangbæk
February 26, 2012 at 4:03 am in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

No we will be going back to the original red raw files when onlining and grading.
Thinking of editing in 1920×1080 prores lt.
Toke Trangbæk
February 25, 2012 at 10:25 pm in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

Because prores fits the rest of our workflow better. This is what we are used to work with in FCP, After Effects etc… So if it works just as good a DNXHD – why not stay with prores?

I know I can do both. I am just looking for some real life experience from people who have worked on large projects with native proves in AVID 6. – I don’t wanna be the first to try this… 🙂 So if nobody tells me otherwise we will of course go with DNXHD and then test the new native prores feature on a smaller project.

best regards
Toke Trangbæk
February 25, 2012 at 10:18 pm in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

But does Avid 6 not change this? With the new native support for proves I should not need to re-encode it…
Toke Trangbæk
February 25, 2012 at 10:13 pm in reply to: Is native prores stable enough to edit feature film? Or should we go dnxhd?

I know that works in theory… but does it also work in real life – with many hours of video.

Is the Prores wrapped as MXF just as fast an reliable to edit as good old fashioned DNXHD as MXF?

We are shooting on RED – so i can export just as easily to DNXHD as to Prores… But proves is just easier to work with – if you need some of the shots for a behind the scenes thing, a promo, fixing stuff in after effects etc.. But we will only do prores if we know that Avid will handle it just as well as native DNXHD.
Toke Trangbæk
November 2, 2010 at 7:23 pm in reply to: Letterbox – Scope on viewer

When can we expect that next update?

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