[Tl Westgate]

[Chris Buttacoli] “Andrew Kramers “Frame Rate Converter” Tutorial is what you remember.”

Yep, that was it. Thanks.

— TL

[Tl Westgate]

The footage was given to me. And if this won’t work, I’ll just tell them to reshoot.

— TL

[Tl Westgate]

Thanks for the info!

— TL

[Tl Westgate]

Thanks!

— TL

[Tl Westgate]

Or you could render out PNGs or TIFFs. That way, no matter where it crashes, just pick up where you left off.

— TL

[Tl Westgate]

In After Effects, right click on a clip and choose Time / Enable Time Remapping. Pixel Motion is a switch (like Motion Blur). Check out the tutorial section on http://www.videocopilot.net and watch the Time Remapping tutorial.

— TL

[Tl Westgate]

The camera doesn’t do the slow motion. But you do have to pump up the shutter speed. The slow mo work is done in an editing program. After Effects would be the best at it.

— TL

[Tl Westgate]

[ed molina] “Only composite and firewire.”

Right, use the composite HD outs. It’s uncompressed HD compared to compressed HDV.

— TL

[Tl Westgate]

No, don’t “shoot” with the camera onto tape. Get an HD capture card and feed that with a signal from the camera. Capture with the computer. This way, the signal isn’t being compressed with an HDV codec. It’s a real HD signal.

— TL

[Tl Westgate]

I don’t think that’ll work. I tried importing an edited 16:9 comp into a 4:3 timeline and it crops the image.

— TL