Forum Replies Created

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  • Tina Hedegaard

    February 23, 2015 at 2:18 pm in reply to: FCP X and Davinci Resolve reelname

    Hi Simon

    Thanks for your reply.

    So I digged a little bit.
    The reason the “ghostclips” came was actually due to attached audio.

    Before I did load my media into the mediapool before importing the xml, but because Resolve couldn’t find the audio it created these ghost clip.

    So I detached the audio and removed in from my timeline i FCPX before exporting the xml (as I would normally do in any other NLE) and everything link perfectly – and the reelnames where correct.

    Thanks

    Tina Hedegaard
    Technical Supervisor | Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 6.5.4, 7.0.4| Adobe Premiere Pro CS6, CC, CC2014
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2 | Mac OS 10.9.1

  • Tina Hedegaard

    October 12, 2014 at 9:43 am in reply to: Premiere cc 2014.1 multicam issue

    Why would you like to make an edit in the audio if there’s no need?

    Thanks

    Tina Hedegaard
    Technical Supervisor | Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 6.5.4, 7.0.3| Adobe Premiere Pro CS6, CC
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2 | Mac OS 10.9.1

  • Tina Hedegaard

    September 25, 2014 at 5:56 pm in reply to: Dropped Frames on Quicktime H.264 Export

    Are you exporting to a local or shared drive?

    Thanks

    Tina Hedegaard
    Technical Supervisor | Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 6.5.4, 7.0.3| Adobe Premiere Pro CS6, CC
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2 | Mac OS 10.9.1

  • Tina Hedegaard

    September 12, 2014 at 8:15 pm in reply to: Rippled changes with nested sequence(s)

    I actually find nesting a very good resource in my delivery.
    I would never use it in editing.

    Then I can have a master sequence with clean video, subtitles and graphic in different languages, a whole variety of audio tracks.
    And then I can have different nested sequences according to my delivery specs.
    Changes does unfortunate happen, and then I only have to make the changes one place, and hopefully eliminate a human error from my part.

    Thanks

    Tina Hedegaard
    Technical Supervisor | Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 6.5.4, 7.0.3| Adobe Premiere Pro CS6, CC
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2 | Mac OS 10.9.1

  • Tina Hedegaard

    September 9, 2014 at 5:40 pm in reply to: Field issues with reversed progressive footage

    I have experienced this exactly issue, unfortunately with an rejection from a broadcast station which interpreted the video parts as lower field.
    My solution was to make my sequence progressive – all of my footage was progressive, so it was actually an error.
    I also added frame blend to the reversed footage.

    I don’t know if it is of any help

    Thanks

    Tina Hedegaard
    Technical Supervisor | Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 6.5.4, 7.0.3| Adobe Premiere Pro CS6, CC
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2 | Mac OS 10.9.1

  • Tina Hedegaard

    May 9, 2014 at 7:13 pm in reply to: grouping/multigrouping menu.

    Opråb your composer settings and set it to show two rows of data

    Thanks

    Tina Hedegaard
    Technical Supervisor | Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 6.5.4, 7.0.3| Adobe Premiere Pro CS6, CC
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2 | Mac OS 10.9.1

  • Tina Hedegaard

    February 7, 2014 at 11:08 am in reply to: Resolve 10 – p2 spanned clips

    Hi Joseph

    Thanks for your reply.

    You are right that the aaf does not see the clips as spanned clips.
    But I actually think the real issue is that Resolve cannot manage spanned clips, Resolve sees each clip as individuals, but the clips that indeed are spanned has a lot of errors – glitches, mpeg-errors, black gaps – so even though resolve actually links to the correct part of the clip, it is not useful.

    In every other program the clips are fine – fcp, avid, premiere, prelude.

    So my question is, how do I make Resolve see the spanned clips as clips without errors.

    I have not tried any other formats with spanned clips yet, I will see if I have som C300 as test material.

    Thanks

    Tina Hedegaard
    Technical Supervisor | Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 6.5.4, 7.0.3| Adobe Premiere Pro CS6, CC
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2 | Mac OS 10.9.1

  • Tina Hedegaard

    November 13, 2013 at 6:40 pm in reply to: How do i remove the audio from this video?

    Try keepvid.com

    Thanks

    Tina Hedegaard
    Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 5.5.3/6.0.3 | Adobe Premiere Pro CS6
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2

  • Tina Hedegaard

    June 18, 2013 at 4:34 pm in reply to: AVID invalid argument error

    I’ve experienced this error when someone had done something to the path where the project is, then avid cannot find the project.

    Thanks

    Tina Hedegaard
    Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 5.5.3/6.0.3 | Adobe Premiere Pro CS6
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2

  • Tina Hedegaard

    June 15, 2013 at 3:29 pm in reply to: Identify This File Structure Type

    It from XDCAM EX, There is a log and transfer plugin, I guess on Sonya website, or you can use CADCAM transfer as told in the earlier post

    Thanks

    Tina Hedegaard
    Editor | Assisting Editor
    Final Cut Pro 7 | Media Composer 5.5.3/6.0.3 | Adobe Premiere Pro CS6
    Mac OS 10.6.8| Mac OS 10.7.4 | Mac OS 10.8.2

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