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Tim Kolb
February 8, 2011 at 11:37 pm in reply to: Import media from P2 camera

Just transfer the data, in its current arrangement, to your internal (or attached) harddrive. PPro knows what to do with it when you open a project and import it. No conversion is necessary.

In theory, you can edit right from the card…but unless you are an ENG operation, that probably isn’t practical from a workflow standpoint…

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 8, 2011 at 11:34 pm in reply to: Cross Dissolve will not render properly

You have other places where you have a dissolve using these two exact clips that are fine?

Hmmm…

What else is going on at that point in the timeline? Any effects? Any titles? Other video layers?

So…you have 1440x1080i material on a 1920x1080i sequence? What happens if you take those two clips and place them on a 1440x1080i CineForm sequence?

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 8, 2011 at 7:05 pm in reply to: Cross Dissolve will not render properly

Is this interlaced or progressive footage?

Is the sequence set up for interlaced or progressive?

What is your playback resolution set for?

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 8, 2011 at 5:23 pm in reply to: Premiere Pro equivalent to “Quicktime Reference File”

[Keith Moreau] “Tim can correct me if I’m wrong…”

But I won’t because you’re not…spot on all around.

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 8, 2011 at 1:00 am in reply to: Proper Codec for APP2.0

On the upside, standard def DV cameras use pretty straightforward tape cassettes and aren’t expensive…and PPro v2 was a workhorse as I recall…

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 7, 2011 at 3:06 pm in reply to: Premiere Pro equivalent to “Quicktime Reference File”

[Alex Udell] “I talk too much :)”

I was thinking more along the lines of me making an excuse for giving an incomplete answer…

🙂

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 6, 2011 at 8:16 pm in reply to: Premiere Pro equivalent to “Quicktime Reference File”

True Alex, a QT reference file is more flexible, but since the OP asked about moving a sequence into compressor, I focused on the edit timeline-to-transcode scenario.

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 6, 2011 at 6:53 pm in reply to: Premiere CS5 Export Advice Needed

Did you download/unlock all the additional components? (codecs, etc.)

You should be able to change attributes… Do you see all the formats?

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 5, 2011 at 4:19 pm in reply to: Adobe Media Encoder – Premiere Pro CS5

Before we get too deep into technical nuance…

What’s different about this one station’s file delivery specification? Have you compared them? (I need to go back and look at DG Fast Channel spec and see if they’re unusually conservative on audio level.)

They may be summing the audio tracks somehow…while the other stations perhaps don’t? (Do you deliver pre-mixed audio, tracks 1 and 2?, Stereo?)

I have five outlets I deliver spots to in my little market, and I have five varying delivery specs from 480i premixed audio to 720p stereo to 1080i…all over the place. It sounds like you’re relatively lucky if you hit everybody with one filetype and you only have one audio problem.

This sounds like a relatively obvious sort of issue that shouldn’t require an exotic approach.

TimK,
Director, Consultant
Kolb Productions,
Tim Kolb
February 5, 2011 at 3:56 pm in reply to: Premiere CS5 Export Advice Needed

Are you running the trial version of the software?

TimK,
Director, Consultant
Kolb Productions,

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