Tim Kline
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h.264 mp4 yes.
I always use maximum everything when rendering.
Not scaling sequence
And I do straight Premier Pro RendersTimothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilopictures.com
Video Production Portfolio -
Dip To black is usually the culprit. It will pixelate the whole picture in about 3 seconds and then it just clears up. The rest of the transtions are always good.
Timothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilopictures.com
Video Production Portfolio -
Hey Brother,
Currently Im on a GRAID Thunderbolt 3 RAID. I have used this setup on previous versions of Adobe Premier and its always worked. The Footage is from a Ninja V and plays no problem. Its just this weird twitch that goes away when I switch it to software render.
Any thoughts would help?IMAC
iMac (Retina 5K, 27-inch, Late 2015)
4 GHz Quad-Core Intel Core i7
64 GB 1867 MHz DDR3
AMD Radeon R9 M395X 4 GB
1 TB SOLID STATE FOR MAIN DRIVETimothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilopictures.com
Video Production Portfolio -
Brilliant Find! Super appreciate this!
Timothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilopictures.com
Video Production Portfolio -
Thanks A million. Downloading now!
Timothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilopictures.com
Video Production Portfolio -
Right on. To answer your questions directly…
1. You can shoot in mixed frame rates. But keep your time line at 24 fps. And yes. Interpret the footage of the 60fps as 24fps. This will actually already make it around 40% and slow it down in the time line perfectly to your timeline frame rate. You can then change the velocity in the time line from there. Thats the best way to get it to match the timeline perfectly. However, you can still do a 24fps timeline and pull 60fps into it. And then slow the velocity of the clip in the actual time line to your liking. There is also “speed ramping” which you should look into for drone footage. Super nice.
2. We always use a 24fps time line because it keeps that cinematic look. Then always convert the 60/120 ect into the time line we are using. Best way to keep your workflow efficient as well.
Hyperlases! OMG! Thats a different convo for sure!!
Timothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilomotionpictures.com
Video Production Portfolio -
Few things to look out for:
1. Are you using drone footage? DJI codecs lag the hell out of systems.
2. Obvious: make sure your frame rates are all similar. If you have different frame rate footage, just click on the footage in your media browser and “interpret footage” all the same rate. This will lag it for sure.
3. Your playback: If you are using the regular set up, its a Mpeg playback. If you are working with pro-res footage or RAW, you will need to change your playback to a custom setting. Generally something 1920×1080 or smaller.
4. Usually its codec for me. If I am working with the GH5 .mp5 footage, and mixed with pro-res footage it will lag much more then a full pro res workflow. You can try doing Proxie Files. Just search Premier Pro using Proxie files. This always helps and probably better to learn it sooner then later.
Super hope this helped.
Timothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilomotionpictures.com
Video Production Portfolio -
Not sure I can help. But it happens to me all the time. Here are a list of things to check, that I have found will crash the system.
1. LUT”S or Creative Looks that are outdated for the Premier Pro Version you have. If you have older lots installed, see if there are newer versions. This is my #1 system “crasher”
2. Sometimes running AE and Photoshop and Premier, will crash it in between the exchange. Not sure there is a fix, but I try to do my AE work and photoshop work first. Dynamic link never works well for me and I am using a solid system.
3. Obvious: make sure your program is updated ☺ Adobe likes to force you to update. LOL
Hope this helps. Tim
Timothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilomotionpictures.com
Video Production Portfolio -
Hello,
Thats a loaded questions so I am going to try to break this up in parts so its easier to distinguish.1. Check how you are importing your aerial footage. If its from a DJI drone or similar, you always need to pull in the footage from the SD or micro SD card. Generally I use 1 editing program to try to keep the bit rate and project files super similar.
2. Interpret footage: A good way to get the 60FPS to a solid 24 is to create your project in Adobe Premier Pro as 24fps. Then when you pull in your 60Fps…. Right click the file and click “interpret footage” then interpret the footage as 23.976 Fps or the exact frame rate as your timeline.
3. You can also use proxy file in premier for your drone footage and convert them to apple pro res. Will save you a ton of time in the end.
4. Sometimes when your previewing in premier the footage looks choppy, but when you render it is not. Usually because the DJI codes are still very horrible to say the least. I suggest doing an all adobe project file and interpreting the footage 60fps as 24. Then you can stabilize it within premier pro. This will atleast make everything more efficient in your work flow. Slowing down footage in iMovie is hit or miss. Pre render your footage in premier (sucks and takes time) but worth it in the end.
5. Do any color or warp stabilization last. Always.
We do it this way, and all of our drone footage turns out amazing. See the Aerial flow here: https://hilomotionpictures.com/avivo-lifestyle-video/
Timothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilomotionpictures.com
Video Production Portfolio -
Should Be all fixed as of today! Check your updates. Just played some 10bit files and it plays really nice. Render times are on point. Solid Update from Adobe On my end.
Timothy Kline
Production Manager
Hilo Motion Pictures
Website: https://hilomotionpictures.com
Video Production Portfolio