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  • It sounds like you are using 2 step authentication. You’ll need to generate a special password in your account that you then enter into the password field in FCP X for your Youtube account. It’s not the same as your normal Youtube login password.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    January 2, 2014 at 6:42 pm in reply to: Archive libraries

    That confusion is why our FCP X support in BRU PE 3.1 actually tracks down the real files unless you tell us not to. We’ve uncovered a lot of folks who had unchecked the “Copy files to event folder” option when importing media in 10.0.x.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    January 2, 2014 at 6:35 pm in reply to: Archive libraries

    Just the links / references.

    This is what the Consolidate Project function is for. it will copy the original media into the event so that the real clips are local to the event. That’s what Bret was discussing in his initial response.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    January 2, 2014 at 3:21 pm in reply to: Archive libraries

    Always the full clip. Unless you render things, FCP X (and PP, and MC) always maintain the full clip. Even if you use an external manager like CatDV, you still must re-render the clip (even if you’re not changing the format) since most clip formats don’t allow you to simply yank out frames (ARRI and MXF being exceptions since their clips are frame-based).

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    December 26, 2013 at 2:50 am in reply to: After installing Final Cut Pro x 10.1 it won’t open.

    You have upgraded to 10.9, right (looking at your sig)?

    I saw something similar with 10.0.9 when my system drive was full and had become non-writeable. There wasn’t even a message in the system log file. I discovered it when I tried to open After Effects with my Adobe Cache volume disconnected. AE tried to using my Documents folder and reported the disk as not having enough space.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    December 23, 2013 at 6:24 pm in reply to: LTFS illegal characters from a Mac

    BRU has it’s own archive container format (been that way since 1985). BRU actually uses exactly what is in the filesystem. If you used special characters, BRU uses special characters. If you set custom permissions or ACLs, BRU maintains (and restore) those special permissions and ACL settings.

    Our tagline is “BRU … because it’s the RESTORE that matters” and that means that you get back exactly what you put in.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    December 23, 2013 at 6:12 pm in reply to: LTFS illegal characters from a Mac

    Use the Terminal:

    Find / -name "*\"*"

    That will locate any file that has a literal quote. If you know the Volume that the file is on, you can replace the “/” with the “/Volumes/DriveName” and reduce the search time by limiting the search to a single volume. You can then rename it by using the “mv” command. Given a file with the name of:
    This file has a " character.mov
    You would use:
    mv This\ file\ has\ a\ \"\ char.mov This\ file\ had\ a\ quote\ char.mov

    You can use the same technique for any of the “special” characters that LTFS bombs on.

    BTW – For BRU users, you don’t need to worry about any of this.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    December 19, 2013 at 8:10 pm in reply to: FCP 10.1 – Are media management and reimport improved?

    Here’s a bit more info .

    fcp-10-1-day-1-tips-for-updating

    I doubt that you’ll ever be able to do sub clip level backups from FCP X without first rendering the actual sub clips simply because with the exception of MXF and, I believe, AVCHD, you need the entire clip to be able to access it.

    However, if you are a BRU PE user, PE 3.1 (coming in January) will perform backups (and restores) using an FCPXML export so that ONLY the clips used are included in the archive container. Remember, LTO tape is relatively inexpensive (~$70 for 2.5TB) and doesn’t interfere with your other workflow storage models while keeping your assets available just in case.

    Blatant plug video:

    BRU PE 3.1 FCPXML and FCP X environment handling.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    December 19, 2013 at 5:46 pm in reply to: “New MacPro – Available in December”

    Actually, some lucky few will receive their units on December 30th.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

  • Tim Jones

    December 19, 2013 at 5:45 pm in reply to: FCP 10.1 – Are media management and reimport improved?

    Final Cut Events and Final Cut Projects are now stored in a bundle folder named:

    Volume Name’s projects and events

    For example, on a storage array named “Black Box”, the bundle would be named:

    Black Box’s projects and events

    It also gets a new and highly visible icon.

    When you first run 10.1, it converts your existing folders on all volumes (and in my case, prompted me to mount some unmounted sparse image files). Once converted, FCP X prompts to either move the old folders to the Trash or save them. If you elect to save them, the folders are combined into a folder on each volume named “Volume Name Old Finale Cut Projects and Events”.

    Otherwise, it appears that the access and management within FCP X is the same. I’ll know more as I import new clips.

    Tim

    Tim Jones
    CTO – TOLIS Group, Inc.
    https://www.productionbackup.com
    BRU … because it’s the RESTORE that matters!

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