[Tielman Dewaele]

Dont think there is one. Do you need it so mutch to do it with shortcut?
T.

Peace

[Tielman Dewaele]

No not at all,

I mean de waves have to create the letters, like the tutorial from Emanuel Eriksson where the letters are formed by sand…

Any ideas
Thanks do

Peace

[Tielman Dewaele]

Holo,

There are always somethings you could have overlooked.
So check:
Iff your qaulity wire draft is set to right in the timeline(this icon / )
Check you rendersettings
quality best
resolution full
frame bleding on!!!
iff you used motion blur on!!!

you should use quicktime no compression or avi no compression.
And use the upper field, aspecialy iff you take it to an edit application.
Render it out and you we see it good.
Think about that, on tv it always looks better.

grtz

Tiel.

Peace

[Tielman Dewaele]

Dear streth

No problem man, you can send it to tielmandewaele@gmail.com and i take a look at it.

I understand completly when you say: ‘maybe getting too ambitious with what i want to achieve and my knowledge of AE’

I got the same problem many many times! Full of ideas, but then the problem is how can i fix this?
After effects is a pain in the ass. It real fun, but it gets you so damn long to get at a higher level.
Ive been bissy with after effects for 2 years now, and still there are meany things that i still cant fix, nobody cant, because it is a very complex program. But when you get at a surten level, youre off to go! Than the fun starts! Im sort of there right now.
Before you do something, make a storyboard and think how you would comp this. A specialy when you doing precomps. Youlle have to now what to do later already!

Send it over and i can tell you some ideas or tips.

Peace
Tielman

Peace

[Tielman Dewaele]

Aha,

Just open the comp of your layers and pull it out off of the window where all the comps are in. Then iff you open te ‘work’comp, you’ll see two comp windows. It is an easier workflow.
Here you can better re-position you layers and see the effects on it in the ‘workcomp’.
This depends of how you setup you your comps…
If you are working with one comp(camera, all the layers,….), just precomp your layers in the composition. Then pull on the sunshine icon. Then it will affect in the comp with the camera.
This is how i work for quck camera movements with a lot of layers.
Try using parents for good results.

T.

Peace

[Tielman Dewaele]

Pfieuw,

Im a glad to hear you say that!!! I was literaly melting, when i was reading the posts of the other guys(i was thinking off the money i spend on this machine)
I got my self the same mac and just orders a copy 7. to run on it…

Mister T.

Peace

[Tielman Dewaele]

Ello,

Try to set up your parts(in the beginning) of the flyers before you animate the camera.
Use the top view and position the parts with different z-axis and y or whatever. First set your end position(in this case this is the begin position cause you want the the hole flyer to be the ending, right?)at the last frame.
‘Fly with the camera trought the objects or something. BOJAKA!

Iff youre a beginner, maby this helps
Iff youre an advanced user, your probebly thinking: shut up!

Mister T.

[Tielman Dewaele]

Ello,

Try to set up your parts(in the beginning) of the flyers before you animate the camera.
Use the top view and position the parts with different z-axis and y or whatever. First set your end position(in this case this is the begin position cause you want the the hole flyer to be the ending, right?)at the last frame.
‘Fly with the camera trought the objects or something. BOJAKA!

Iff youre a beginner, maby this helps
Iff youre an advanced user, your probebly thinking: shut up!

Mister T.

[Tielman Dewaele]

Hm
No easier way
I want it like its painted on a wall, with a big paintbrush…big strokes..

>

Peace

[Tielman Dewaele]

I use Afx 6.5. I have the dillerium, but i dont find what i am looking for.
Yep i look further in the archives….

T.

Peace