[Tielman Dewaele]

Ok
After restarting 10 times,
it works ok again.

T

Peace

[Tielman Dewaele]

The article doesnt seem to help me.
Using MacPro osx
FCP 5.0 Studio
Quicktime Pro 7.0

PAL Firewire
Canon xm2 camera

T

Peace

[Tielman Dewaele]

bigger images:

https://allyoucanupload.webshots.com/b/2074528300608137904

Peace

[Tielman Dewaele]

Hey Helmuth,

I animated a fish a couple of times. And i simple used the Bezier warp effects and animated the tail this way. Its maby not the perfect one, because you distort a bit of the fish body aswell. But i had always some had resultes with it…I takes some time do.

T.

Peace

[Tielman Dewaele]

Yeah,

Ill will do.

Peace

[Tielman Dewaele]

Hey,

Search for ‘”muzzle” on the forum search.
When you created a muzzle fire, its pretty simple. Just add it to your to your gun. It only needs 1 or 2 frames of a second. Sins it only needs 1 or 2 frames, you can try to make it in photoshop. Maby add ome light to the actor, see andrew kramer tutorials for that.

Grts

T.

Peace

[Tielman Dewaele]

Ok found it, but its kind off weird.
How can i fix it so its a go’s smooth from the person(ai still) to the the first letter P, of the word People?

Thanks
T.

Peace

[Tielman Dewaele]

Thanks
But what do i have to change exacltly in the trapcode particular?
Im not a partical specialist…

Peace

[Tielman Dewaele]

Hey,

I dont iff there is. But what i do is set 2 keyframes, with a difference off 20 frames. If you use the transform opacity(disort>transform)instead off on your layer, you can save it as a animation preset. So whenever you want to add it to a layer go 20 frames(Cmd+G=go to time) before the end of the layer(O) and add that preset.
You can do this with every other transition effect iff you want.

Hope this helps

T.

Peace

[Tielman Dewaele]

TO Alex:

Exactly, that what i am wandering about.
How can you rotoscope this if the background is moving?Steady shots are easy.
>DAVE?

Peace