[Thomas Mcintosh]

As long as it’s just a linear timecode, just preset it on the camera/deck to match a Premiere timeline with the right timecode (with the caveat below of a 1 second difference). Here are my instructions to myself that I’ve saved for using a Sony Z1:

In VCR mode

Press menu

Go to TC/UB SET menu

Set TC MAKE to PRESET

Make sure TC RUN is set to REC RUN

Set the timecode in TC PRESET

VERY IMPORTANT:
Set the timecode preset to 1 second (25 frames) BEFORE the starting timecode of the sequence in Premiere, as there’s an unsurmountable 1 second delay (what’s at 0:00:00:00 on the Premiere timeline will be recorded on-camera at 0:00:01:00)

Thus, if the Premiere timeline starts at 0:59:00:00, set the camera to 0:58:59:00

[Thomas Mcintosh]

Are you talking about the hiss in the background of the woman’s voice clip? It’s not that noticable, especially with the background music there.

You could try Noise Removal in Audacity, but that will usually produce audible artifacts that may be more noticeable than the original noise.

[Thomas Mcintosh]

No problem, glad I could help!

[Thomas Mcintosh]

Do you have the Reference monitor open? I only get this bug when I do – I think it’s connected to Premiere getting behind in processing for the reference monitor, and jumping back to the frame that it’s just done.

I think I may have had this bug back in CS3 too (my previous version) – not sure.

[Thomas Mcintosh]

[grinner hester] “afterall, no dude needs a big wedding… or a wedding at all. It’s a chick thing.”

Your statement is not always true. Maybe it is the usual state of play, but in my case, entirely wrong on both counts!

Don’t forget that there are still some religious communities in which marriage and the wedding day is viewed as very important by both men and women.

[Thomas Mcintosh]

You want a coaxial cable with BNC connectors – try searching for BNC video cable.