Tero Ahlfors
3
COW Coins
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Solve Coin
Forum Replies Created
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Not automagically but you can turn off the track visibility for other tracks and export track by track. What is your use case here?
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There are different EDL formats that support all kinds of stuff, but Adobe is probably trying to keep it as backwards compatible as possible.
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You’ll need to split the project in a few parts. If for some weird reason the audio house is incapable of putting it together then you’ll have to figure out another workflow.
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It’s only for the previews. If you want full resolution previews then set the resolution to what you want.
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Noise removal/adding is always pretty heavy because you are affecting pretty much every pixel at every frame and in the case of temporal noise you’re reading multiple frames.
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You could try if using only the spatial noise reduction would do. It should only check the current frame instead of keeping a bunch of frames in memory.
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Actually convert the footage to a better format and work with that. It will take more space but it will most likely run better.
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Heavily compressed 4K is a problem for even the beefier systems. That’s why a lot of users transcode that to Prores or DNxHR which are easier for the CPU.
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It’s not about the RAM. It’s about the VRAM on the GPU. I don’t know what kind of corrections you’ve made and how much VRAM you have but according to the Geforce page it should have at least 4 gigs. Unlike Premiere, Resolve uses GPU for pretty much everything when you start adding nodes and effects and whether it can fit in the VRAM depends on what kind of stuff you’re doing. For example if you have a lot of temporal effects that read frames backwards and forwards (like noise reduction) it will need to read more frames into memory thus requiring more VRAM to make that work.
Here’s a quote from the Davinci config guide:
“For processing UHD or 4K-DCI images we recommend 8GB or more of GPU memory. For some operations 4GB will be sufficient. 2GM is not recommended.”
You wrote about noise reduction before so as a workaround you might want to try exporting whatever you have with the noise reduction off. Then bring it back in and make another pass with only the noise reduction.
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Your timeline aspect ratio is 1,77 and you’re exporting it to a wider 1,89 aspect ratio so you’ll get padding on the sides. Also If you want a full quality 4K render you’ll need to set the timeline to what you want. If you’re working with 4K footage in an HD timeline and then exporting in 4K you’re actually scaling the already downscaled 4K footage up and losing quality.