Tero Ahlfors
3
COW Coins
1
Solve Coin
Forum Replies Created
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If the image sequence you import doesn’t have metadata for framerate it will be imported with the indeterminate time base setting you can choose in the preferences.
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Giving Resolve a cache folder it can’t write to is a user problem, not a Resolve problem.
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You can’t overwrite a file that is being read for the render you are making. If you are updating your prerender you should name the export file accordingly. Like test_v01, test_v02, test_v03 etc.
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I haven’t made any serious calibration to my home displays but my eyeball calibrated monitors don’t show a strong tint in the clips. The first one is cooler and the second one is warmer but I wouldn’t say that it’s to an effect.
Does your monitor have any white balance/color temp settings? Make a white matte in Premiere (new item – color matte) and see how it looks. Then try to set the monitor so the white is close to as pure white as you can.
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You need to try and calibrate your monitor to a somewhat decent level. You can use the built in calibration in Windows that can be found in the display control panel settings.
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If I remember correctly the duration limit for one sequence is 24 hours.
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[Daryl Bello] “is there a solution for this?”
Did you read my post?
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How long os the project? OMF has a 2 gig limit per .omf file so if you embed the audio you’ll need to export it in parts or collect the audio separately.
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You should edit with the frame rate your footage was shot. Any standard conversions should be done to the final master.
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Render your master out in 25fps. Bring it back in, right click, modify, interpret footage and change the framerate to 23,976. Render it out. The audio will be 4% slower so if you have an audio guy you’ll want to run this by him so he ccan deal with pitch changes etc.