Ted Joyce
Forum Replies Created
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Your are right!! Thanks for your patience. It now opens one of two CS2 projects. I had put all files and the .nor project all in the same folder which isn’t was you were saying. Once we put the .nor and an identically named folder, it located the folder and opened one of the two projects. However we did the identical process with a second project and we get a different error, “File path not found” rather than the old error of “unable to locate folder.” Any idea of what we might be doing wrong?
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We moved the all files and the named project into the same file & still get the same message. We also tried opening CS4 & importing the assets but it won’t import them. Do I understand correctly that CS2 will not run under Vista?
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Joe,
I believe I had everything needed in the same folder (audio/video, subtitles, graphics, Project etc.)
Would instaling & opening these CS2 projects into CS3 be possible and would they then more likely be openable into CS4?Could I run CS2 inside of Vista or can you think of any other work arounds?
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Can’t one just use use your Mac’s firewire port to input HDV from your Sony Z1 camera? (the K3 doesn’t have analog HD inputs) I’m getting ready to capture some Z1 HDV & hope to do that. Then drop the footage into a timeline to covert.
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Jeremy,
I believe the sequence is 1080P 29.97 proRes422HQ, but at least that is what I have the render setting. How can I confirm this?
I am transitioning from an old Media 100 into Final Cut and am a bit murky about the difference between projects and sequences.
I have three projects in the browser and three corresponding sequence tabs in the timeline. Two are 1080P /24f ProRes 422HQ and this one 1080P 29.97 project. Could this be causing the problem? -
thanks, I’ll consider it next time but the timeline still seems to drop frames though I don’t get a reported error window. I hope I don’t need to drop to 720P just to get stable playback out of the Kona.
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Some of the shots are 1080P & I wanted to not lose that quality.
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thanks for the reply but once it is rendered it isn’t long Gop is it?
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After putting color correction and dissolves etc. it needed rendering and that seems to be set at Apple ProRes 422HQ 1920 by 1080. The rendering elminated the red bars which are now blue above the timeline. Most of the clips were 720P but the timeline is 1080P by 1920 It seems to play better if used Kona playback presets, and much worse set at destop preview. Why would a high data rate timeline play fine as a desktop preview but not EX footage?
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Michael,
Sorry I’ve asked so many diverse questions. Thanks for answering them. Basically I’m hoping to make convenient progressive-scan reviewing copies of all this material.Is a progressive PAL or NTSC DVD via compressor practical for 3 1/2 hrs. of HD material. What would the encode and burn time be? Many hours? I will probably have to do this several times as the editing progresses.