You know it was really more a theoretical question I guess? Is it something as simple as using a camera with 4:2:2 or 4:4:4 as opposed to 4:1:1 to get a better key? I was really just wondering if the consensus of the filmmaking world is “you dont shoot green screen through wine glasses” …lol
Great, my only thing is I cant figure out how to put in the new serial number for Studio 2. Dumping the prefs didn’t seem to work. Also I would need to have the serial number be replaced for every program in Studio 2, not just Final Cut
shot on P2, apparently ACV is not avaiable yet. so I should go to Cine tools and do a pull down? does it make sense to change my capture method to 24pA, or continue shooting 24p?