Steve Eisen
Forum Replies Created
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You would want an I/O device to Input footage into your system. This includes for example, transcoding DSLR footage to ProRes. Also up, down and cross converting footage. The Output displays what is in your timeline. It is highly recommended. There are also a couple of output only devices via Thunderbolt. AJA’s T-Tap is now shipping and Black Magic Design’s UltraStudio Mini Monitor will ship later this year.
I wish this technology was around 10 years ago!
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
Try updating to the latest 3.05
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
You do not need FW to offload your footage. For tape, you need it. You can use USB. The PCD2 will eliminate the need to use your camera as a source.
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
Steve Eisen
September 7, 2012 at 4:55 pm in reply to: How To – Newspaper Headlines Piling on Each Other Effect?Motion would definitely be the app of choice. Google search to see if there is a template or tutorial online.
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
From what you told us, you just troubleshot your problem. We don’t have any other specs to go by.
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
The latest iMac is incredible. Look to add Adobe Production Premium CS6 to your toolkit. AVID MC6 can’t hurt either. With Thunderbolt, look at the AJA IOxt for I/O device.
You can add an eSata port to your iMac.You have a lot of expandability with the Mac Pro. I would recommend the Nvidia Quadro 4000 graphics card. Get as much RAM as you can afford. Dell Ultrasharps for Computer monitor.
With PCIe you have different options for I/O devices. AJA Kona 3, LHi or LHe. External IO Express. Matrox External MXO2 or MXO2LE. The MAX version is a must if you do a lot of h.264 encoding for web or Blu-ray.Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
Steve Eisen
September 3, 2012 at 2:44 am in reply to: Anyway to deactivate without access to computer?https://www.avid.com/US/about-avid/legal-notices/avid-licensing/faq
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
Steve Eisen
September 3, 2012 at 2:27 am in reply to: Can’t convert H.264 .mp4 file that came from Adobe Premier, to an Apple ProRes 422 file. Need assistance.The only way this file can be seen by FCP is to export from Premiere using Adobe Media Encoder and create a ProRes file.
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
If you really want to see the true output, you must monitor it properly. The only way you can find out if the quality is good is to do an export and and look at the final delivery.
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group -
It makes sense. What you are seeing is normal behavior for your set up. Unless you properly monitor, you will not see what it actually looks like. It’s like driving down the road with Vaseline smeared on your windshield.
Steve Eisen
Eisen Video Productions
Vice President
Chicago Creative Pro Users Group