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Steve Bralver
August 14, 2011 at 5:36 am in reply to: Converting 24 FPS to 30 FPS for broadcast

Thanks Shane. Thanks John.

This is helpful, but I’ve never actually used Compressor before. Is the workflow simple enough that you might be able to walk me through it?

thanks,
S
Steve Bralver
August 13, 2011 at 9:03 pm in reply to: Converting 24 FPS to 30 FPS for broadcast

Here is EXACTLY what they requested:

General FTP specs are as follows, while format specific requirements are listed below: Standard Definition (SD) or High Definition (HD).
• Total running time of your spot should be exactly 30 seconds and 00 frames. • All video should be 29.97 frames per second (FPS) and interlaced. • The field dominance parameter must correctly match your video interlacing. • No slate or color bars should be included with your movie.
• Audio levels should regularly peak at -12dBFS on the FCP internal audio meters during playback on your timeline. • Video must be “broadcast safe”: Using the internal FCP ‘Video Scopes’, 0% is black level and 100% is maximum white. Both YCbCr and RGB levels should fall within this range using the ‘Waveform’ and ‘RGB Parade’ panes. When utilizing external measurement devices, 7.5IRE is black level and 100IRE is maximum white in the analog realm, while in RGB, black should not fall below 16 (RGB) and whites shouldn’t exceed 235 (RGB).
When outputting your commercial in SD via Final Cut Pro, please use the settings below: • Export the sequence as a self-contained QuickTime movie in one of the following acceptable FCP default presets:
Uncompressed 10-Bit NTSC 48kHz (720×486) DV NTSC 48kHz (720×480) DV50 NTSC 48kHz (720×480)
• All graphic & text elements of importance should remain within SD Title/Safe area. https://en.wikipedia.org/wiki/Safe_area
When outputting your commercial in HD via Final Cut Pro, please use the settings below: • Export the sequence as a self-contained QuickTime movie using the FCP default preset: HDV 1080i60 (1440×1080) • All graphic & text elements of importance should remain within the HD Title/Safe area. https://en.wikipedia.org/wiki/Safe_area
Steve Bralver
July 30, 2011 at 1:25 am in reply to: Is it better to shoot in 24 FPS and convert to 30 FPS…. or vice versa??

Shooting with the Canon 7D.

Here is the required delivery format and specs:

General FTP specs are as follows, while format specific requirements are listed below: Standard Definition (SD) or High Definition (HD).
• Total running time of your spot should be exactly 30 seconds and 00 frames. • All video should be 29.97 frames per second (FPS) and interlaced. • The field dominance parameter must correctly match your video interlacing. • No slate or color bars should be included with your movie.
• Audio levels should regularly peak at -12dBFS on the FCP internal audio meters during playback on your timeline. • Video must be “broadcast safe”: Using the internal FCP ‘Video Scopes’, 0% is black level and 100% is maximum white. Both YCbCr and RGB levels should fall within this range using the ‘Waveform’ and ‘RGB Parade’ panes. When utilizing external measurement devices, 7.5IRE is black level and 100IRE is maximum white in the analog realm, while in RGB, black should not fall below 16 (RGB) and whites shouldn’t exceed 235 (RGB).

When outputting your commercial in HD via Final Cut Pro, please use the settings below: • Export the sequence as a self-contained QuickTime movie using the FCP default preset: HDV 1080i60 (1440×1080) • All graphic & text elements of importance should remain within the HD Title/Safe area.

Based on this info, what would be the proper workflow to take this from 23.98 FPS to 29.97 FPS?

thanks,
S
Steve Bralver
July 29, 2011 at 8:57 pm in reply to: Is it better to shoot in 24 FPS and convert to 30 FPS…. or vice versa??

So then we will shoot at 24. Whats the best way to convert to 30?
Steve Bralver
February 8, 2011 at 6:19 pm in reply to: FCP sequence settings

Will this work for sequence settings:

Frame size 960 x 720 — Menu option HD 960 x 720 16:9
Pixel Aspect Ration HD 960 x 720
Field Dominance Upper
Timebase 30
Compressor HDV 720p30
Steve Bralver
February 8, 2011 at 6:10 pm in reply to: FCP sequence settings

According to this link:
https://www.imaging-resource.com/PRODS/E7D/E7DVIDEO.HTM

The 7D does not shoot at the same resolution in 24 FPS as it does at 30FPS.

I don’t see a 720P 24 FPS option.

This project is based just for the web. So I’ll use 29.97
Steve Bralver
January 21, 2011 at 4:23 am in reply to: Convert 23.98 fps to 29.97 fps

Shane, can you email me?
stevebralver@gmail.com

I’ll send you the file.
Steve Bralver
January 21, 2011 at 3:38 am in reply to: Convert 23.98 fps to 29.97 fps

I could also put the quicktime file on Fetch if you have it and are willing to take a closer look.

BTW — THANK YOU 🙂
Steve Bralver
January 21, 2011 at 2:34 am in reply to: Convert 23.98 fps to 29.97 fps

What do you suggest I do now?
Steve Bralver
January 21, 2011 at 2:15 am in reply to: Convert 23.98 fps to 29.97 fps

Here is youtube.
Don’t have vim account.
https://www.youtube.com/watch?v=0Eod701Pfqk

Quoting you “Interframe format into a GOP structure, mismatched frame rate…HDV Master”
I have zero clue what any of that means 🙂

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