Steve
Forum Replies Created
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This is great info! Thank you! It makes total sense – I can see why this would work. I really appreciate the input. Sounds like you’ve done this before.
Steve
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Because of the nature of these rooms (light colored walls etc) – and the presence of the window between them (which we WANT to see some reflections in), light is still bouncing around the room tto much too avoid reflected light from illuminating what we want to hide. Thats why I was wondering if people had ever draped black cloth in front of the camera and crew and shot through a hole.
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But I’ve seen moving shots where only the foreground actor (who is lit) as well as that same actors reflection in the glass are seen. The DP, the Grip and the camera set up itself are “invisible”. Perhaps they use curtains as well a the techniques you both suggest?
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I know this was an old thread Barry but I was wondering if you’re still selling your anamorphic adapter guide for the DVX100.
Also, as they seem to be out of production, I was wondering if you know a reputable source for the Panasonic 16X9 Anamorphic. I’ve seen them on ebay but I’m a little worried about the risk…
Steve
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Oh my God…where are you? Email me at steveclarendon@yahoo.com with your number. I’d love to talk to you…
Steve
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Dave Gottlieb…
Yes. Audio plays back variably – fast/slow/fast etc. Any ideas?
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Hi,
Thanks very much. The suggestions above have been helpful to some degree. No, I am not using Mojo – just lacie drives. Turning off file sharing and such has solved the crash-o-matic syndrome but the media data bases continue to self-corrupt, causing flashes in source and record monitors, which get preogressively worse until I throw out the data bases and avid settings and restart the system. I’m still doing this 3 or 4 times a day.
By the way, is there no way to turn on digital out to monitor on an NTSC w/o the mojo (on a non-dv project)?
Steve