[Mitch Ives] “More professional would be”
Yes, there are aspects of the workflow that are less “professional” (and it’s a big frustration still) but for my money the quality of the rendered output is quite clearly superior, especially in terms of compositing graphics in a typical TV spot type scenario.
Back in the summer I had a hideous problem with FCP7 not being able to render a certain colour/opacity combination without serious artefacts – but the same composite in FCPX is very clean.
The floating-point architecture is, I think, a major step forward in terms of overall image quality …
Not to say there aren’t other issues to be resolved before it becomes the ideal tool!
Simon Ubsdell
Director/Editor/Writer
http://www.tokyo-uk.com