[Simon Bergman vázquez]

I have found a solution, change the sound files one by one, to the original one. If you try to relink the media, it doesnt fix the problem.
I have also noted that the timecodes of some of the clips (random ones) were wrong on the problematic sound files.

But by replacing the files with the original sound files the problem is solved.

I havnt found any automatic way to fix this problem.
Apparently it is a problem with how fcp interprets the sound files.

[Simon Bergman vázquez]

Hello

How did you do the conversion, im trying to convert from NTSC 29,97 to Pal, the material is shoot in CANON D5, H264 compression.

I have exported all my material to Apple Pro Res, and now Im trying to do the conversion. But the ressults, are very bad. With frames that have spooky double images if I put the Nattress plugin on progressive, or a very bad interlaced material if I say to the plugin to export interlaced.

Could anybody help?

Simon

[Simon Bergman vázquez]

I have the same issue, and I dont know how to solve it.

Have a BVAP with CLPR folder and TAKR folder.

Inside another folders with the name of each shoot.

Hope someone answers.

[Simon Bergman vázquez]

Hello Im adressing the same problem. When exporting to AppleRes Pro LT, the image gets darker.
Even when i export in ProRes HQ, its the same ammount of luma that is lost. On images that are well exposed it increases the contrast giving you a richer image, but when the material is underexposed its a huge problem.

Its a fact that it happens. Im using MPEG streamclip. Will try Commpresor to se if i can notice any difference.

Regards
Simon