Shawn Whiting
Forum Replies Created
-
I tried uploading HDTV codec exports and different types of H.264 and Flash, but same problem continues…
I was using .mp4 h.264 from the get go
-
Thanks Ted!
your advice, along with the advice (from another forum) to import via:
File > Import > Premiere Pro sequence.
rather than
File > Import > File > etc…
has gotten everything working smoothly.
cheers
-
im 10, well basically, my birthday is only a few months away, so it counts as 10.
-
This sounds right to me. After reading around more i think i’ll definitely want to be in a smaller production company, somewhere where im not tied down into one specific role, but can help on all aspects of a project.
Any advice on any companies to look into for this or towns / cities that would have a better indie film base? especially for doc work. Doesnt necessarily have to be USA either. thanks!
– Shawn
-
i see, so importing the timeline from PPro keeps the cuts, while exporting from PPro then importing that file into AE makes it one continuous block that I would need to chop up again?
-
Thanks Michael!
“Not always true. Actually, I prefer importing a Premiere project into AE to work with it.”
I suppose i could try converting all my footage to cineform before i brought it into PPro, in which case i could try importing the premiere project into AE. Why do you prefer that method to, say, exporting a rendered file from PPro and bringing that into AE?
– Shawn
-
Great info all around, thanks so much everyone I really appreciate it!
– Shawn
-
Interesting perspective Joe, it certainly makes me reconsider how im going to go about getting footage between PPro and AE.
Has anyone else had big problems with dynamic link or exporting large compilations of clips between PPro and AE?
-
“Though if you’re not keying everything you might hold off on converting all the footage to Cineform and just do it on the final edit instead. Save a lot of time and disk space.”
How would this work? I would:
– bring everything into PPro as AVCHD off the camera,
– then edit it all down to the clips I think I’ll be using,
– then export that from PPro as cineform.
– Import that into AE, do all the effects, color correction, and keying
– then export from AE to mpeg2 for dvd? -
“I’d strongly advise against shifting a large clip from PPro to AE with the intention of splitting it up.
AE is not a program you want to have long unwieldy clips in. And what happens after you’ve done your keying, gone back to PPro and realise you have to do some edits/fix something? Exporting the whole thing again might shift clips in AE out of sync”Humm, I’ll be working with hundreds of clips, do I really want to have to import and work on them one at a time?