Looked good on what? Your properly calibrated broadcast reference monitor? The no-name monitor that was on sale at Wal-Mart?
And were you watching your video scopes to make sure that you were getting the best range of contrast, that you were inside the gamut of your video standard?
Arnie
I have a macpro and I dont have a lot of experience with the scopes but
I think they were in the gamut.
But if it looks good in fcp why would it change at all if you sent it out uncompress even if it was a crappy monitor or the scopes where bad?
here is a picture of the footage and my scopes the picture on the left is after uncompressed 8 bit quicktime export the rightside is in fcp before export.

