[Seth Kopchu]

Gotcha. I’m using the one that you used.

[Seth Kopchu]

I’m not sure if I follow – I’m just following the steps you’ve listed above, and I’ve run into that snag with finding the dark and mid colors. That is, selecting “Custom” when using Sony Color corrector.

[Seth Kopchu]

I’m having a hard time trying to find or make the colors black and gray. You say to drag the circle over but there’s nothing to drag it too, dark color wise.

[Seth Kopchu]

Hey, thank you so much! When I sit down to edit, I’ll use this as reference. Do you have an email or something I can use to contact you directly, or is that a burden, which is what I don’t want to be to you.

[Seth Kopchu]

Yeah – I want to know what settings you used in Vegas Pro 13’s color correcting to make the image that you did. Screen caps, whatever. Any way you show me will be appreciated.

Thanks again. I’ll be waiting for your reply.

[Seth Kopchu]

Could you please show me how you did it, perhaps by screenshotting your color correcting settings?

[Seth Kopchu]

It’s a start.

[Seth Kopchu]

What exact settings did you use in the color corrector to make that image? Screenshot them or whatever. Just something for me to work off of.

[Seth Kopchu]

Here are eight screenshots from the film. The first image is the color corrected footage from our first cut, and the second image is the native footage as I have it now in Vegas. I’ll upload some later on if need be.

First images.
Second images.
Third images.
Fourth images.
Fifth images.
Sixth images.
Seventh images.
Eighth images.

[Seth Kopchu]

So I downloaded the stand-alone version of Mercalli 3.0, and while the demo only lets you stabilize the first 10 seconds of a clip, all my clips were under 10, so it worked out perfectly. Thanks.