Sebastian Toro
Forum Replies Created
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i contact aja and they said this about HD formats and HDCAM SR…
The Io HD supports both 1080p24 and 1080pSF24 and is compatible with a HDCAM SR.
Other video formats include: 1080pSF/p23.98, 1080pSF/p24, 1080i/pSF/p25, 1080i/pSF/p29.97, 1080i/pSF/p30, 720p varicam (all rates), 720p50/59.94/60, NTSC 525 and PAL 625.
Note: The HDMI video standard does not support 1080pSF23.98 or 1080pSF24 video formats.so it fits for me…
thanks all
sebastian toro –
sinsistema.tv –
bs.as. argentina -
It’s a good point. shoot 25p is an option. but 25p isnt available.
so what about capturing interlaced and software deinterlacing in FC. how it works for a feature film. is this a quality issue or not… i’m finishing a film with SI-2k 24p (the DoP choose this option instead of 25p like i propose) but it’s already data so no compromisses at this point.
i have another type of problems with this RAW footage. The most of it was about workflow.So i want to be ready with my Video Assist/Master Capture Option If this people using the ARRI d-20 whant to shoot 24p too.
i’m already making research for tech info about PSF and Progressive. and 23.98/24 timecode also… before i order my IOHD…
thank you very much JG…
sebastian toro –
sinsistema.tv –
bs.as. argentina -
i m back
good insert, Mr Sacci!i continue with my point and tech doubts
i read the ajaioHD manual and nothing about 1080 24p capture… and film frame rates
i found output throgh HDMI 1080p23.98, 1080p24, 1080p25, 1080p29.97, and 1080p30 (no support for this through HDMI input, but no need)
i ve only found an easy setup for FCP 1080 23.98psf…i believe thats the format recorded from ex1.
but i doubt capturing with this format for 24p material from the arri-20 / hd cam SR setup.
will be the timecode accurate with the tape recorded?certaninly i doesnt understand well enoguh the segmented frame issue…
thanks both for your posts
and sorry for my gauchos englishsebastian toro –
sinsistema.tv –
bs.as. argentina -
i have good results aplying the deinterlace filter but no directly to the picture layer. i ve do this to an upper general layer and the picture is now freeze.
thank you for your advices
sebastian toro
sebastian toro –
sinsistema.tv -
i try with deinterlacing effects into the JPG layer change a little bit but far from going out, still flickering. it’s a picture from xerox product: i use the biggest picture of this link. it’s the big multifuntion NUMBER 4 starting from top.
i apreciate your help
thank you
sebastian toro
sebastian toro –
sinsistema.tv -
Thank you Kristian.
What about capturing progresive from a panasonic dvx200?sebastian
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I am confussed about this:
i didn’t found metions about analog HD inputs capabilties.is possible to capture HD via intensity pro analog component inputs?
if no prores 422 avaliable, what codecs are?
i heard apple guys said that you can capture prores 422 in the fly only if you have a macpro and not with old g5
sorry about my english…
sebastian toro –
sinsistema.tv -
Thanks jeremy. And yes i am in Bs As. I will sent your love to those things, in fact i do it on my own every week.
I was thinking of buying the HVX200 and in the near future the IO HD. I expect to work mostly in a complete Pro res HQ workflow and then masterize in tape renting an HD deck (dvc pro HD / hd cam / hdv ) through the IO HD outputs or directly to an HD-DVD
in fact now i am thinking about the JVC PRO HD cam series. In this way i skip the poor HDV compression.
saludos…
sebastian.
sebastian toro –
sinsistema.tv -
I HAVE A QUESTION…
IT WILL BE POSSIBLE TO CAPTURE LIVE INTO THE HD ANALOG COMPONENT OF THE AJA IO HD FROM THE ANALOG HD OUT OF A PANASONIC HVX200? OR THIS IS ONLY POSSIBLE WITH HD SDI OUTPUT LIKE THE CANON H1…
I MEAN USING THE PRO RES HQ CODEC AND GET THIS FILES IN THE HD OF A MACBOOK PRO…. WATH IS THE FRAME SIZE IN THIS CASE?SORRY ABOUT MY POOR ENGLISH… I AM WRITING FROM ARGENTINA…
SEBASTIAN
sebastian toro –
sinsistema.tv