[Steve Connor] “Avid – still the predominant NLE for Film and large areas of Broadcast, seems relatively untouched by the NLE wars”
I disagree here. Avid came out as the loser in the “FCP7 execution sweepstakes” by Apple and the opportunities that Adobe and Avid had immediately following. From where I sit, many more shops went to Premiere over Avid (actually all the shops I know that were on FCP7 and did switch went to Adobe). Avid continues to feel pressure on everything. Watch for X to continue to sneak into many smaller news station workflows.
[Steve Connor] “Premiere Pro CC 2014 – excellent software, amazing speed of development from Adobe and a natural successor to FCP7, only issue is the subscription model that many people don’t seem to like”
I add it’s crashes, interface, lack of speed with large file types, and general “plastic feel” can be added to my dislike list. Resolve 11 looks like a better successor going forward.
[Steve Connor] “FCP7 – still exists and still has a massive user base of people who still haven’t switched”
Yup. But “massive” seems a bit over the top. It’s a dead software that ain’t coming back. Legacy users, me being one, will have to delete the software sooner rather than later.
[Steve Connor] “but is unlikely ever to reach the market size that FCP7 had.”
I disagree here. IF (and that’s a big if) Apple continues to develop the product, I can see X easily surpassing FCP7’s user-base. Start at price alone. Then watch new editors learning it. Apple got it right, even if us old editors might not think so. They are closing the loop on content acquisition, creation and distribution. Maybe a 4k Apple camera one day? 😉
Tag, you’re it! 🙂
Scott Witthaus
Senior Editor/Post Production Supervisor
1708 Inc./Editorial
Professor, VCU Brandcenter