Forum Replies Created

Page 112 of 137
  • Scott Witthaus

    August 28, 2014 at 11:23 am in reply to: FCP X destroying audio edits in XML output

    Just out of curiosity, my question is why you are going through these hoops? What’s the end result you are hoping to achieve?

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Scott Witthaus

    August 27, 2014 at 10:26 am in reply to: FCP X and the Tour de France

    [Darren Roark] “the interface is too cute and toy like,”

    Or clean and elegant. Certainly better than Premiere which feels plastic and overly forced technical looking. Give me simple, clean and elegant any day.

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Same deal here. I have Media Composer on my machine and have not used it for a paying gig in over 2 years. But, I count as a seat sold.

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Also being ignored here is there is still a sizable group using FCP7. Perhaps you should look into the sum of editors using Apple NLE’s versus the others. Considering the introduction of X, I would be OK with these numbers.

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Scott Witthaus

    August 18, 2014 at 10:43 am in reply to: UK NLE Survey

    It’s like linear guys hating Avid back in the day. “How can you do an edit on a computer when you don’t have a huge Sony 7000 switcher and three D2 machines running? It can’t be that easy as a mouse click or key stroke! Our job is tough and that’s why we can charge $400/hr….”

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Scott Witthaus

    August 17, 2014 at 10:27 am in reply to: UK NLE Survey

    Flawed sampling of a niche market. This is more an Avid marketing piece than a piece of research. I could write the same article at my school: “FCPX has 99% of all graduate advertising students…..” Nothing to see here….

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Scott Witthaus

    August 16, 2014 at 10:25 am in reply to: OTish: Turn out the lights…

    [Mitch Ives] “I’m kind of surprised that it took that long. The school I taught at for 5-1/2 years switched quite aw”

    Well, as we know, X was a warm pile of “poo” when it was released so I waited, watched and learned the program. And you also know the old saying that “change in academia comes one funeral at a time….” 😉

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Scott Witthaus

    August 13, 2014 at 11:58 pm in reply to: OTish: Turn out the lights…

    [Simon Ubsdell] “But I’m very surprised that we’re still here working in Legacy after all this time – says a lot about how good it was.

    Agreed. The very day we delete Legacy, I get another gig at a large agency shop using FCP7. It still is a great program, but reality comes into play looking forward.

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Scott Witthaus

    August 12, 2014 at 5:44 pm in reply to: Resolve 11- More Thoughts on NLE?

    <>

    Just another NLE with good and bad things. Use it when you need it, don’t when you don’t.
    Rinse and repeat.

    🙂

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

  • Scott Witthaus

    August 7, 2014 at 12:28 pm in reply to: Resolve 11 Release Available Now

    In reality however (not to be confused with reality TV), how much color do you need to do outside of X. Properly shot footage usually needs a light touch that X and assorted plug-ins can handle. I see very few times and projects that need to round-trip. I know people will respond with “well its got feature A and Mask B and Secondaries C….Doesn’t matter. I can do pretty much everything in X. Played with that in R10 and it basically works, but most of my color correction can be done in X. If it needs a lot more color work, the budget usually has color correction/colorist in it. I am not going to force simple color R11.

    Now, if I am an Avid cutter and have watched the MC/Symph color tools rot on the vine, I am very interested in R11…perhaps thinking that this was what MC could have been.

    Premiere? Eh, I find the Premiere product very distasteful and only use when that’s all a shop that hires me has. Not sure how R11 stacks up against whatever color corrector Adobe has.

    All that said, I will learn more of R11 as I can see shops dumping the remaining FCP7 suites and some making the choice of Resolve over Adobe. Just my humble opinion

    Scott Witthaus
    Senior Editor/Post Production Supervisor
    1708 Inc./Editorial
    Professor, VCU Brandcenter

Page 112 of 137

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy