In reality however (not to be confused with reality TV), how much color do you need to do outside of X. Properly shot footage usually needs a light touch that X and assorted plug-ins can handle. I see very few times and projects that need to round-trip. I know people will respond with “well its got feature A and Mask B and Secondaries C….Doesn’t matter. I can do pretty much everything in X. Played with that in R10 and it basically works, but most of my color correction can be done in X. If it needs a lot more color work, the budget usually has color correction/colorist in it. I am not going to force simple color R11.
Now, if I am an Avid cutter and have watched the MC/Symph color tools rot on the vine, I am very interested in R11…perhaps thinking that this was what MC could have been.
Premiere? Eh, I find the Premiere product very distasteful and only use when that’s all a shop that hires me has. Not sure how R11 stacks up against whatever color corrector Adobe has.
All that said, I will learn more of R11 as I can see shops dumping the remaining FCP7 suites and some making the choice of Resolve over Adobe. Just my humble opinion
Scott Witthaus
Senior Editor/Post Production Supervisor
1708 Inc./Editorial
Professor, VCU Brandcenter