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Scott Skaja
March 30, 2010 at 2:29 pm in reply to: Log & Transfer 5D/E-1

Right you are on creating a DMG… which is probably why Canon makes it a point to point out the Disk Image feature in their E-1 plugin.

I am using SanDisk’s Extreme class of CF card, 16GB storage, 60MB/sec

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
March 30, 2010 at 12:16 am in reply to: Log & Transfer 5D/E-1

I am now selecting all and using Add Selection to Queue, and it’s working without any issues. Interesting…

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
October 7, 2009 at 5:10 pm in reply to: remove pulldown with phase changes throughout

I would say that the only way to remove mismatched pulldown through a dissolve is to deinterlace the footage, but that would decrease the overall image quality.

If you take one of the spots and test out making it progressive, keep track of your time. This will give you info to let your client know how much time/money it will take to complete the entire library of spots. This may assist them in calculating the validity of this project.

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
October 6, 2009 at 1:07 am in reply to: remove pulldown with phase changes throughout

I like the cut of your gib, LaRonde.

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
October 6, 2009 at 12:59 am in reply to: modern warfare 2

Using Form on the mesh banners is a great idea, I will give that a try.

The next task is the integration of the images and people growing out of the sound waves that I could use advice on.

Thoughts?

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
September 28, 2009 at 6:20 pm in reply to: ‘Below Black’ for Blue-ray PIP delivery

having similar issues, but no deck or machine room here. Would you be willing to share a Quicktime super-black clip with me?

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
September 9, 2009 at 3:58 pm in reply to: Color Space

when the editor brings my composited files back in, he wants them match color perfectly with the footage he digitized from digibeta.

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
September 9, 2009 at 3:53 pm in reply to: Color Space

correction… in telecine the transfered footage was layed to a digibeta tape. Then the editor digitized that tape into his Avid Nitris DX using the Avid’s 1:1 10 bit Uncompressed settings

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
July 12, 2009 at 6:04 pm in reply to: Script Email Set up

Running MacOSX

I located two files that may contribute:

Applications/Adobe After Effects CS4/Scripts/(support)/Change Email Settings.jsx
and
Applications/Adobe After Effects CS4/Scripts/(support)/email_methods.jsx

I opened both in the app Extend Script Toolkit, but I self-admittedly am a newbie to java script. I scrolled through both scripts, but I didn’t see anything specific to my email settings.

Anyone who can help, I would greatly appreciate it and I will buy you a beer the next time I see you.

Scott Skaja
edit/design/animation
http://www.scottskaja.com
Scott Skaja
July 11, 2009 at 8:05 pm in reply to: Script Email Set up

I’ll take a look for it during my next render… working at a feverish pace on my current project

Scott Skaja
edit/design/animation
http://www.scottskaja.com

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