[Scott Mcauliffe]

Aharon,

thanks for the “switcheroo” mask suggestion. Seems like that is a good way to animate the separation of the cell wall. When you broke from layer 1 (one mask) to layer 2 (two masks), did you use an auto-trace to match the shape of the mask from layer one to the masks in layer 2?

I’m struggling with keeping a seemless transition over that break.

– s

(PS – love the AE tutorials)

Scott McAuliffe
Urchin Multimedia Design
http://www.urchinmultimedia.com
http://www.pbase.com/smcaulif

[Scott Mcauliffe]

Aharon,

thanks for the “switcheroo” mask suggestion. Seems like that is a good way to animate the separation of the cell wall. When you broke from layer 1 (one mask) to layer 2 (two masks), did you use an auto-trace to match the shape of the mask from layer one to the masks in layer 2?

I’m struggling with keeping a seemless transition over that break.

– s

(PS – love the AE tutorials)

Scott McAuliffe
Urchin Multimedia Design
http://www.urchinmultimedia.com
http://www.pbase.com/smcaulif

[Scott Mcauliffe]

thanks, Barend.

Cheers,

– scott

Scott McAuliffe
Urchin Multimedia Design
http://www.urchinmultimedia.com
http://www.pbase.com/smcaulif

[Scott Mcauliffe]

Tim,

Just a simple delay should work fine for you. I don’t use SoundForge or Vegas so I can’t tell you specifics, but I would do it by either:

1) route your delay as a send effect through your virtual mixer and just boost the delay send for the last syllable. This would be a non-destructive way of editing and I don’t know if it applys to SoundForge.

Or

2) you can splice or isolate your the last syllable of your sound file and just apply a delay effect to that which would be a destructive way to edit but might be just fine for what you want to accomplish.

Hopefully someone with SoundForge knowlege will jump on here to give you some specifics.

Best of luck.

Cheers.

– Scott

Scott McAuliffe
Urchin Multimedia Design
http://www.urchinmultimedia.com
http://www.pbase.com/smcaulif