Sareesh Sudhakaran
1
COW Coin
Forum Replies Created
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It varies. Some comps need to be in the final grade to look real. A slight shift in color might ruin the realism.
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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Some cameras have on board mics. Try switching them off.
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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You might find my comprehensive guide to rigging useful: https://wolfcrow.com/blog/comprehensive-guide-to-rigging-any-camera-1-introduction-to-rigging/
I prefer custom rigs always. A good rig can last through many cameras and setups.
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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Does it happen if you export to PNG or mov? Can you export a few TIFF frames from the mov file without changing anything?
Assuming all settings have been checked and verified, check the frame border behavior. Can you post links to the sites that confirm this behavior?
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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I wouldn’t recommend it. I’d say the minimum is LT (100 Mbps), but I wouldn’t advise anything lower than 422 (147 Mbps).
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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There isn’t one. Even when a body ratifies a standard, it cannot be legally imposed on anyone. Furthermore, there are conflicting standards based on different technology, goals, constraints, etc.
For some guidelines I recommend the papers by SMPTE and the EBU. Broadcast systems are more rigid. Cinema is evolving at a rapid pace and even the standard bodies concerned can’t keep up.
For a backup strategy I can only share my own: https://wolfcrow.com/blog/comprehensive-guide-to-rigging-any-camera-8-data-management-part-1/
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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This might help: Comprehensive Guide to Rigging Any Camera – 4 Filters and Matte Boxes (Part 3)
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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I’m not certain what you mean by your last sentence. However, both Prores 422 and HQ are acceptable. Which version you choose depends primarily on how much you want to ‘push’ the image in grading. I wouldn’t recommend LT for grading, though.
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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Check out the Comprehensive Rigging Guide for help.
Regarding a computer, yes, you need a new computer – same software. You don’t need anything fancy, an i5 ivy will be fine. Avoid laptops for rendering work.
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.
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As far as I know the only way to know the exact latency is to test it.
https://www.wolfcrow.com – Workflow information and support for filmmakers, photographers, audiographers and videographers.