[Samuel Smith]

That’s a creative idea I wouldn’t have thought of.

[Samuel Smith]

I should also ask if tapes shot on Sony HDV cams will play on the JVC? In particular, FX1000 and Z1U. I assumed all HDV was fair game, but I’ve had no luck trying to play these on Canon HV-30s.

[Samuel Smith]

I can’t believe the horrible oversight I made. I was unaware of the “line/mic” switch below the XLR input. Unbelievable, and the realization happened too late for my shoot.

I borrow the HVX and hadn’t had to make the switch in years.

Thanks for the posts. I wanted to put a button on it, despite the embarrassment, if anyone was wondering.

[Samuel Smith]

I have a couple concepts I could use help with: directing your crew, and any miscellaneous tips for improving your camera positions.

I don’t have the ability to speak through headphones to direct the camera operators, so I have to give them general instructions before the show and hope their instincts are solid.

How would you express this to them? I would tell someone what position they’re going to be in; what their primary subject is, secondary, etc. I would probably demonstrate a transition I might like, i.e. from tight shot of drummer, zoomed out to singer.

The problem I have is how to direct HOW OFTEN to do this. I like movement and transitions, but you also need conservative shots where you do very little, just for security and options in editing. So I would just say keep a tight shot 50% of the time, a medium shot 30% of the time, and a wide shot 20% of the time and hope it gives them an idea. And take calculated risks when they arise, with any transitions and deviations like panning/zooming–maybe 25% of the time. Any suggestions on how to direct a camera operator beforehand?

Also, I’m always interested in different ways to improve shooting conditions. It’s tough when there’s no barricade, as it forces you to get close to the stage and makes for an “up the nose” shot that can be unflattering and strange. In the spirit of being discrete and allowing others to see, it’s a tough shot to negotiate. I’ve found taking just one step back can greatly alleviate that warped perspective. Having a short person in front of you still allows you to shoot above their head, but it’s crowded. I’m just curious if anyone has any helpful tips, like standing on a box to the very side of stage, or maybe surrounding yourself with an object to give yourself some elbow room when you’re up front like that.

Any and all suggestions about shooting live are appreciated.

[Samuel Smith]

Yes, Edius has that. I thought it was only for exporting to a P2 card, but I see that it can save on your PC. Thanks.

[Samuel Smith]

Desktop, I believe.

So that it could be downloaded and edited by other users at optimum quality.