Yeah I have a Blackmagic URSA Pro at work and I really like it. I feel it has a more cinematic look and I like the colors. The thing I don’t like about SONY for my personal work is that I keep buying SONY lenses, but I’m locked into SONY if something cool comes along like the 4K pocket camera. I was recently shooting some photo timelapes with the a7r II and the look is so nice I wish there was a RAW sequence available for a SONY camera. I also shot a project on the FS5 RAW recently and I liked the look of that too. It’s a very different feel than the s-log. Anyway, maybe it’s time to invest in lenses that can adapt to more than just my SONY.